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Christopher Kelly

Christopher Kelly

Features

Why doesn’t Texas’s greatest movie actress get the respect she deserves?

Once and for all: What are the ten best Texas films of all time?

How did a small cadre of film geeks from Austin take an outsized role in determining what you see at the multiplex on Friday night? One dismembered body at a time.

And Saturday. And Sunday. The arrival of fall means weekends spent watching football, up close and on-screen, and yet another opportunity to love the greatest game on earth for all the usual reasons. Forty-nine of them, in fact.

Columns | Miscellany

Faced with stiff competition from reality shows, is the decades-long tradition of Miss Texas in decline? Not if a few determined queens can help it.

Reporter

In Moonrise Kingdom, Wes Anderson lovingly embraces his fantastical streak.

After years of bad choices and bad luck, Dennis Quaid—older, wiser, and emotionally raw—proves his mettle in a new movie and his first TV series.

Tommy Lee Jones’s charming new romantic comedy.

Are Jay and Mark Duplass too productive for their own good?

The new Dallas smartly pretends the nineties never happened.

In Killer Joe, Matthew McConaughey keeps his shirt on. For a while.

In The Client List, Jennifer Love Hewitt tries to the breast of her ability.

The SXSW Film Festival finally starts living up to its hype.

We have met the enemy, and they are Good Christian Bitches.

Were Bonnie and Clyde just a couple of crazy kids?

Into the Abyss dives deep into the death penalty debate.

Is Owen Wilson finally turning into—gasp!—a serious actor?

What does a rash of new reality TV tell us about the Metroplex?

Jim Parsons, the unlikely savior of the TV sitcom.

Can Beyoncé reinvent her music videos in the Age of Gaga?

Terrence Malick: Brilliant or pretentious? Discuss.

Can the T. D. Jakes brand go mainstream—and live to tell the tale?

Is Eva Longoria doomed to be tabloid fodder the rest of her days?

Four filmmakers to watch in 2011.

Bill Paxton’s role of a lifetime.

The Coen brothers deliver a truer, grittier True Grit.

Jim Carrey’s brilliant gay movie finally comes out.

Robert Rodriguez is our most prolific filmmaker. But is he selling himself short?

Who are Selena Gomez and Demi Lovato?

The trouble with Texas TV shows.

Three cheers for Woody Harrelson’s return to form.

Horton Foote’s bountiful last act.

Four filmmakers to watch in 2010.

The blind side of The Blind Side.

Reality (TV) bites Dallas women.

Renée Zellweger versus the Oscar curse.

Hey, movie people, leave Cormac McCarthy alone!

Drew Barrymore keeps Austin weird.

How Mike Judge got his groove back.

Before her death, Farrah Fawcett achieved what had long eluded her: three-dimensionality.

How Beyoncé could become a great actress. Seriously.

Why Tommy Lee Jones’s newest film went straight to DVD.

Are the Jonas Brothers for real?

The best new Texas filmmakers.

Urban Cowboy’s indelible imprint on menswear.

The brave new world of Web serials and how they make money.

Enough with all the high-minded sports movies!

Owen Wilson’s new movie is no dog.

Boy toys will be boy toys.

The Jessica Simpson oeuvre.

The gay cliché.

Alan Ball’s near-great teen sex flick.

A porn classic turns thirty.

The best sitcom you may never get to see.

Julian Schnabel’s metrosexual Texanness.

Hollywood loses the Iraq war.

Action Heroes 2008.

Geeks from Austin will destroy American cinema.

Charlie Wilson’s warts.

Paul Thomas Anderson drills a dry hole.

The Coen brothers do Cormac.

Hip-checking Wes Anderson.

Conspiring minds want to know …

An open letter to Ethan Hawke.

The news about Making News.

The Best Little Whorehouse in Texas at 25.

A slasher flick to die for.

With friends like these …

The best of the new auteurs.

News you’d Rather not use.

Dim the Lights.

Catherine Hardwicke’s bad faith.

Bush bashing on the big screen.

Richard Linklater supersizes Fast Food Nation.

Revved up for Chainsaw.

In praise of Mike Judge.

Ten years later, Lone Star is still overrated.

Ignore the critics. See The King.

Terrence Malick’s self-defeating art.

How the Wilsons became legally bland.

Web Exclusives

Despite withering reviews, the Dallas-based reality television show has enjoyed increased ratings and has spawned a franchise.

As the fiftieth anniversary of the JFK assassination approaches, the eyes of the world will be upon the city, and its cultural leaders are prepared for the attention.

Joe Nick Patoski takes on America's most storied football franchise in his new book, The Dallas Cowboys. 

Movie distributors of 2016: Obama's America, which is on track to be one of the five highest-grossing documentaries of all time, focused their initial marketing strategy on a Houston release. Why?

Nearly six years after her death, Ann Richards, who is the subject of a new documentary, book, and stage play, still casts a long shadow.

The time-honored TV show is finally back, and it's bringing Dallas economic and tourism growth, as well as a certain sense of pride.

The city is home base for a growing community of young filmmakers, who are making their mark on the independent film scene.

Houston Chronicle blogger Jenny Lawson (aka The Bloggess) found herself at the center of a two-day auction among twelve publishing houses for the rights to her debut memoir, Let's Pretend This Never Happened. How did she rise from unpaid blogger to New York Times bestseller?

The Austin-based writer and director's new film, which is premiering at the South by Southwest film festival, may soon find mainstream embrace.

Austin filmmakers David and Nathan Zellner prove that Sundance still embraces their type of idiosyncratic, shoestring-budgeted work.

Alamo Drafthouse founder Tim League starts an independent film distribution company, but can he make it work?

Before the End, After the Beginning, the author's first collection since his stroke, draws on his personal crisis for inspiration.

Thunder Soul, a documentary about the Kashmere High School Stage Band's return to the stage after 35 years, makes a powerful argument for the necessity of arts education. 

Less than two years after moving into the Wyly Theatre, the Dallas Theater Center has become the state’s drama darling. Is it the final curtain on the Alley Theatre’s time at the top?

To celebrate the 20th anniversary of Slacker, a couple of dozen filmmakers remake Richard Linklater's indie flick.

Before her death, Farrah Fawcett achieved what had long eluded her: three-dimensionality.

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