SUNBURNED AND HUNGRY after a day of tubing down the Guadalupe, you head back to Austin for dinner at one of your favorite Tex-Mex restaurants—a garish, festive joint called Chuy’s. You are seated and slurping on a margarita when you spot a striking man in a nearby booth. A little over six feet tall, he’s wearing navy trousers, a light blue Sea Island cotton shirt, and a light navy jacket. You notice the thin, almost cruel lips, the comma of dark hair falling across his forehead, the faint scar running down his right cheek. It occurs to you that the man bears more than a passing resemblance to James Bond. Then he rises and moves across the room to chat up a leggy blonde at another table. As he sweeps by, you catch the gleam of his trademark Walther PPK nestled in a shoulder holster under the jacket, and you realize with a start that it is James Bond.
Bond in Texas? If you think that sounds like the fantasy of a young Texan with dreams of international espionage, you aren’t too far off. Something like that scene can be found in the pages of The Facts of Death, the second James Bond novel by Texas-born Raymond Benson, to be published this month by Putnam. The 42-year-old Benson is the first non-British writer to assume the mantle of Ian Fleming, who created James Bond in the fifties and wrote some fourteen books about his exploits. Benson got the call in November 1995 from Fleming’s literary agent, Peter Janson-Smith, who heads up Ian Fleming Publications (until recently known as Glidrose Publications), the British company established by the Fleming family to manage the writer’s literary estate. At the time, Benson was working as a computer-game designer in suburban Chicago. A Bond fan since childhood, he had never written a novel but had published the omnibus James Bond Bedside Companion and was considered an authority on the suave secret agent.
Sitting in an Austin cafe last fall, Benson looked pensively at a copy of 1997’s Zero Minus Ten, his first Bond novel, and a paperback of his novelization of last year’s Bond film, Tomorrow Never Dies, and shook his head. “It’s still hard to believe,” he said. “Here’s this glossy paperback with Pierce Brosnan’s face on it, and there’s my name underneath. I can’t get used to seeing it.” A somewhat rumpled man of medium height with a neatly trimmed beard, Benson has little in common with the storied character. No career in the military or in espionage. Doesn’t smoke. Doesn’t like martinis that much. “I’ve stepped into some very big shoes, and I have a responsibility to do good by them,” he said of writing about Bond. “It’s scary at times—a dream come true that I was never allowed to dream.”
Ian Fleming’s shoes are very big indeed, and these days the walk in them is uphill. His literary legacy has fallen on hard times over the past ten years, and it will be a challenge for Benson to return the James Bond of the printed page to his glory days of the sixties. For one thing, as an American, he has had to overcome the skepticism of British critics who see Bond as essentially British and Americans