You’d think a movie critic might relish passing thumbs-up, thumbs-down judgments on all the latest flicks, but for Fort Worth–based writer-at-large Christopher Kelly, that’s the least interesting part of his job. “Movies and TV and celebrities are more than entertainment,” says the Staten Island native. “I like to figure out how they relate to life and the place they take within culture.” The former film critic for the Fort Worth Star-Telegram, Kelly’s work has also appeared in the New York Times, Salon, the Chicago Tribune, Slate, Film Comment, and many other publications. His debut novel, A Push and a Shove, was published by Alyson Books and won the 2008 Lambda Literary Foundation award for Best Debut Novel. His favorite movies, in no particular order, are A Hard Day’s Night, All That Jazz, The Silence of the Lambs, and Nashville.
The time-honored TV show is finally back, and it’s bringing Dallas economic and tourism growth, as well as a certain sense of pride.
After years of bad choices and bad luck, Dennis Quaid—older, wiser, and emotionally raw—proves his mettle in a new movie and his first TV series.
Nearly six years after her death, Ann Richards, who is the subject of a new documentary, book, and stage play, still casts a long shadow.
Movie distributors of 2016: Obama’s America, which is on track to be one of the five highest-grossing documentaries of all time, focused their initial marketing strategy on a Houston release. Why?
Joe Nick Patoski takes on America’s most storied football franchise in his new book, The Dallas Cowboys.
There are whispers that the company’s production of a musical version of Giant could leap to Broadway.
As the fiftieth anniversary of the JFK assassination approaches, the eyes of the world will be upon the city, and its cultural leaders are prepared for the attention.
After his Oscar turn in RAY, Jamie Foxx seemed to lose his way. Can DJANGO UNCHAINED revive the career of one of our great actors?
Despite withering reviews, the Dallas-based reality television show has enjoyed increased ratings and has spawned a franchise.
The number of Texas-based filmmakers at Sundance proves that our vibrant filmmaking community is thriving.
Why has almost nobody had a chance to appreciate the UT alum’s Oscar-worthy turn in the delightful domestic farce “If I Were You”?