Joe Nick Patoski
Joe Nick Patoski is a former senior editor for Texas Monthly and a one-time reporter for the Austin American-Statesman. He has authored and co-authored biographies of Selena and Stevie Ray Vaughan, collaborated with photographer Laurence Parent on books about the Texas mountains, the Texas coast, and Big Bend National Park, all published by University of Texas Press, in addition to writing Generations on the Land: A Conservation Legacy (Texas A&M Press) and Texas High School Football: More Than the Game (Texas Historical Commission). His 2008 book, Willie Nelson: An Epic Life, published by Little, Brown, was recognized by the Friends of the TCU Library with the Texas Book Award for the best book about Texas written in 2007/2008. His most recent book for Little, Brown is The Dallas Cowboys: The Outrageous History of the Biggest, Loudest, Most Hated, Best Loved Football Team in America. Patoski’s byline has appeared in the Los Angeles Times, the New York Times, TimeOut New York, Garden & Gun, and No Despression magazine, for whom he is a contributing editor.
A complete guide to the coolest stretch of the Guadalupe: 22 miles of tubing, rafting, and all-around fun in the sun.
With a computer and a modem, anyone can ravel the state on the information superhighway, but it helps to have a road map. A complete guide to Texas on-line.
Music and dance define Veracruz, the city with the stongest coffee and the freshest seafood in Mexico.
Unchecked growth of microscopic algae has muddied the water—and threatened the future—of Laguna Madre.
Diverse styles and a shared devotion to fold music mark new releases by Nanci Griffith and Robert Earl Keen.
The world’s leading expert on rock legend Buddy Holly, Bill Griggs is alive and well and living in the fifties.
It’s harvest time for the green chile—the mild-mannered pepper that adds zest to almost any dish.
Some of the brightest country music stars—like Mark Chesnutt and Tracy Byrd—are born in the honky-tonks of Beaumont.
Two Arizona ex-hippie publishers are bringing Texas’ weekly papers into the mainstream.