Senior editor John Spong holds a bachelor’ degree in history and a J.D. from the University of Texas at Austin. In 1997, after a brief yet dramatically unfulfilling stint as a civil litigator in Austin, he joined Texas Monthly as a fact-checker. He became a staff writer in 2002. Spong was nominated for a National Magazine Award in 2010 for his story celebrating Texas dance halls, “Step Right Up” and has twice won the Texas Institute of Letters’ O. Henry Award for Magazine Journalism—for “The Good Book and the Bad Book,” about a censorship battle at a private school in Austin, and for “Holding Garmsir,” about a month he spent with a platoon of U.S. Marines fighting in Afghanistan. He is the author of A Book on the Making of Lonesome Dove (University of Texas Press, 2012), and his stories have been collected in Best Food Writing 2012 (Da Capo Press, 2012), the Best American Sportswriting 2009 (Houghton Mifflin Harcourt, 2009), Literary Austin (TCU Press, 2007), and Rio Grande (University of Texas Press, 2004). In 2005 the City and Regional Magazine Association named Spong its national writer of the year. He has served on the board of the Texas Book Festival since 2008 and lived in Austin since 1971.
The photographer from Big Bend known for stunning landscapes gets out of his comfort zone. Here, a first look at several images from his latest collection.
It might yet be the craziest thing he’s done for the Texas landmark.
After a career that’s spanned more than thirty years, George Strait is wrapping up his 48-stop farewell tour this month. For those of us whose lives he has captured so inimitably in song, country music will never be the same.
“Unwound,” “The Chair,” and “Easy Come, Easy Go” have all sprung from the powerful pen of Dean Dillon.
Sixteen photographs of some of the cooler moments of Austin history, as taken by Scott Newton, the longtime official photographer of “Austin City Limits.”
In 1978 Punk magazine sent photographer Roberta Bayley to Texas to chronicle the band’s tour through the South. Her photos of the two Texas shows capture the surreal collision of two radically different cultures.
How did Guy Clark become the most revered songwriter in Nashville? One hard-won tune at a time.
You know, when you’re surveying the struggles of Longhorn nation from Joe Jamail’s skybox, things don’t look so bad.
After more than a decade of combat, Texas soldiers are finally coming back for good. But the real journey home still lies ahead.
Ten years after their remarkable fall from grace, no one is quite sure why the onetime Nashville darlings tumbled so far—and never got back up.
Austin is booming with jobs, condos, festivals, traffic, hipsters, joggers, and high-concept dive bars (anyone for Lone Star and seared foie gras?). Does that mean it’s no longer Austin?
The writer who was known for writing the book for the Broadway musical The Best Little Whorehouse in Texas died Thursday at 83. Read three of senior editor John Spong's favorite stories by the giant of Texas letters.