Senior Editor John Spong holds a B.A. and a J.D. from the University of Texas. In 1997, after working two years as a civil litigator, he joined Texas Monthly as a fact-checker, then moved into a staff writing position in 2002. He was nominated for a National Magazine Award in 2010 for his story on Texas dance halls, “Step Right Up” and has twice won the Texas Institute of Letters’ O. Henry Award for Magazine Journalism—for “The Good Book and the Bad Book,” about a censorship battle at a private school in Austin, and for “Holding Garmsir,” about a month he spent with a platoon of U.S. Marines fighting in Afghanistan. He is the author of A Book on the Making of Lonesome Dove, and his stories have appeared in numerous collections, including Best Food Writing 2012 (Da Capo Press, 2012) and The Best American Sports Writing 2009 (Houghton Mifflin Harcourt, 2009). Inducted into the Texas Institute of Letters in 2013, Spong also sits on the advisory council of the Wittliff Collections at Texas State University. He lives in Austin, his home since 1971, with his wife Julie Blakeslee and their son, Willie Mo.
What’s the secret to writing a great country song? Which comes first, music or lyrics? Looking to answer these and other questions, we gathered a group of singer-songwriters—Guy Clark, Robert Earl Keen, Sonny Throckmorton, Patty Griffin, and Jack Ingram—set out a couple guitars, and let the tape roll.
Everyone was shocked when San Angelo’s hugely popular mayor suddenly left town with his gay lover. Everyone, that is, except the citizens of San Angelo.
Press your jeans, pull on your boots, shine up your buckle, and come along on this two-stepping tour of classic country dance halls, from Tom Sefcik Hall, in Seaton, to Club Westerner, in Victoria.
The Longhorns may have lost the BCS National Championship on the hallowed field of the Rose Bowl, but they gained something almost as important: a long-lost fan.
Twenty-five years ago, Larry McMurtry published a novel called Lonesome Dove—and Texas hasn’t looked the same since. Listen in as more than thirty writers, critics, producers, and actors, from Peter Bogdonavich and Dave Hickey to Tommy Lee Jones, Robert Duvall, and Anjelica Huston, tell the stories behind the book (and the miniseries) that changed the way we see the West.
Most vacations in Texas mean filling up the gas tank and logging long hours on the highway. Yet whether it’s a classic buddy trip or a full-blown family vacation, the charms of the open road remain. May it always be so.
Is Friday Night Lights the best TV show ever made about Texas? Or just the first one (sorry, J.R.! Sorry, Hank!) that’s tried so hard to get the details right?
As we mourn the passing of Club 21, one of the state’s most beloved dance halls, remember to scoot across one of the many other historic, century-old two-stepping floors.
How an angry parent’s e-mail turned an elite Houston private school into a political battleground.
As a kid I was the pickiest eater you have ever seen, and family meals gave new meaning to the words “food fight.” But I gritted my teeth and overcame it—one disgusting tomato at a time.
She lived outside the spotlight, quietly serving her country as most members of the military do, until one terrible day.
Before cameras were allowed in courtrooms, artist Gary Myrick and his assortment of colored pencils provided Texas television audiences with a vivid look at the state’s high-profile legal proceedings against figures like T. Cullen Davis, Henry Lee Lucas, and Charles Harrelson.