Senior Editor John Spong holds a B.A. and a J.D. from the University of Texas. In 1997, after working two years as a civil litigator, he joined Texas Monthly as a fact-checker, then moved into a staff writing position in 2002. He was nominated for a National Magazine Award in 2010 for his story on Texas dance halls, “Step Right Up” and has twice won the Texas Institute of Letters’ O. Henry Award for Magazine Journalism—for “The Good Book and the Bad Book,” about a censorship battle at a private school in Austin, and for “Holding Garmsir,” about a month he spent with a platoon of U.S. Marines fighting in Afghanistan. He is the author of A Book on the Making of Lonesome Dove, and his stories have appeared in numerous collections, including Best Food Writing 2012 (Da Capo Press, 2012) and The Best American Sports Writing 2009 (Houghton Mifflin Harcourt, 2009). Inducted into the Texas Institute of Letters in 2013, Spong also sits on the advisory council of the Wittliff Collections at Texas State University. He lives in Austin, his home since 1971, with his wife Julie Blakeslee and their son, Willie Mo.
It was part musical, part dance movie, and part love story, and in June 1980 it unleashed an unprecedented fervor for country music, Western wear, and, yes, mechanical bulls. More than three decades later, the film’s stars (including John Travolta, Debra Winger, Mickey Gilley, and Johnny Lee) and many Gilley’s regulars recall the movie that made America fall in love with Texas.
He’s the brashest, most generous, most foul-mouthed trial attorney in the country. And at 89, Joe Jamail can still command a courtroom, mother%*!$#@.
Lone Star was just a brew for dads and cowboys, until Jerry Retzloff helped turn it into the coolest beer in the country.
The photographer from Big Bend known for stunning landscapes gets out of his comfort zone. Here, a first look at several images from his latest collection.
It might yet be the craziest thing he’s done for the Texas landmark.
After a career that’s spanned more than thirty years, George Strait is wrapping up his 48-stop farewell tour this month. For those of us whose lives he has captured so inimitably in song, country music will never be the same.
“Unwound,” “The Chair,” and “Easy Come, Easy Go” have all sprung from the powerful pen of Dean Dillon.
Sixteen photographs of some of the cooler moments of Austin history, as taken by Scott Newton, the longtime official photographer of “Austin City Limits.”
In 1978 Punk magazine sent photographer Roberta Bayley to Texas to chronicle the band’s tour through the South. Her photos of the two Texas shows capture the surreal collision of two radically different cultures.
How did Guy Clark become the most revered songwriter in Nashville? One hard-won tune at a time.
You know, when you’re surveying the struggles of Longhorn nation from Joe Jamail’s skybox, things don’t look so bad.