Michael Ennis has been a regular contributor to Texas Monthly since 1977. He is the New York Times best-selling author of the historical novels The Malice of Fortune, Duchess of Milan, and Byzantium, which have been published worldwide. He earned his degree in history from the University of California, Berkeley; taught art history at the University of Texas, Austin; and is a former John D. Rockefeller III Foundation Fellow. His nonfiction writing, on subjects ranging from military preparedness and national politics to art and architecture, has won several national awards; been included in the curriculum of the U.S. Military Academy at West Point; and has been published in a number of books and anthologies as well as magazines such as Esquire, ARTnews, and Architectural Digest.
In a Fort Worth exhibit of Russian and American paintings, two groups of artists use the same vocabulary to express profoundly different views of life and art.
The current show at Houston’s Museum of Fine Arts brings 150 years of photography into sharp focus.
In a Houston retrospective, the art of Julian Schnabel appears to be aging prematurely.
Can a Texas publisher of technical books make a difference in the nuclear powers’ arms race? You bet.
Up in the sky, it’s a plan, it’s a helicopter—no it’s a tiltrotor, the Texas hybrid that will soon revolutionize air travel.
The exuberant crystal towers above San Antonio’s botanical conservatory have captures everyone’s attention. Inside, it’s even better.
An exhibit at Fort Worth’s Amon Carter Museum contends that before the cowboy became America’s hero, Indians and mountain men were the icons of a vanishing frontier.
The Dallas Museum of Art hosts an eighty-year retrospective of Wyeth family art that carries Nancy Reagan’s seal of approval.
Hans Holbein’s life drawings are a tantalizing glumpse into the lusty court of Henry VIII. And courtesy of HRH Queen Elizabeth II, they’re on view at the Houston Museum of Fine Arts.
The Menil Collection has received so much attention that its opening this month may seem anticlimactic. The only unknown is what the director plans to do with it all.
Using a circular saw and a shrewd commercial sense, Plano housewife Sandy Stein chiseled a new life for herself as a sculptor.
An innovative folk art exhibition at the San Antonio Museum of Art affirms the irrepressible spirit of the Mexican people.
Melissa Miller’s lions and tiger confront demons, dance under the moon, and reflect the ambiguity of the modern world.
Two gleaming office towers are going up face to face in downtown Austin. Now their marketing managers have to rent the town asunder.
At the heart of this ancient culture were cruelty, self-mutilation, and ghostly visions.