Michael Hall graduated from the University of Texas at Austin in 1979. Before joining Texas Monthly in 1997, he was an associate editor of Third Coast magazine and the managing editor of the Austin Chronicle. Hall won two 2001 Katy Awards: one for Best Reporter Writing Portfolio and one for Personality Profile/Interview for his July 2001 story “Lance Armstrong Has Something to Get Off His Chest.” He won a Texas Gavel Award in 2003 for his story about capital punishment, “Death Isn’t Fair,” which was also nominated for a National Magazine Award. Hall’s stories have appeared in the Best American Magazine Writing, the Best American Sportswriting, the Best American Nonrequired Reading, and Da Capo Best Music Writing. He has also written for Trouser Press, the New York Times, Men’s Journal, and the Austin American-Statesman.
Folk singer Nanci Griffith thinks the Texas media have been mistreating her. The way she’s fighting back guarantees her trouble with the press isn’t going away.
Old country and western in Mingus, zippy zydeco in Bridge City: The shows always go on at these ten tuneful spots.
Don’t hang their plaques at Cooperstown just yet, but do applaud the accomplishments of Kerry Wood and Ben Grieve. After all, not everyone is Rookie of the Year.
Officially, the most famous atheist in the world is still missing. But the feds think she’s dead, and they think they know where her body is. They also think they know who’s responsible. And he says he didn’t do it.
How the war in Kosovo turned an Austin online company into the Lone Star State Department.
How serial killer Rafael Resendez-Ramirez struck fear in the hearts of the men and women of Weimar, a tiny Texas town that will never be the same.
Half the state hates them and secretly admires them. The other half admires them and secretly hates them. Such is the plight of the decade’s best high school football team.
He looks like a cross between Ed Asner and Uncle Charley from My Three Sons, but don’t get Dave Hickey started on the subject of beauty— his own or anyone else’s.