Mimi Swartz, the author, with Sherron Watkins, of Power Failure, The Inside Story of the Collapse of Enron, is an executive editor of Texas Monthly. Previously, she was a staff writer at Talk, from April 1999 to April 2001, and a staff writer at the New Yorker from 1997 to 2001. Prior to joining the New Yorker, she worked at Texas Monthly for thirteen years. In 1996 Swartz was a finalist for two National Magazine Awards and won in the public interest category for “Not What the Doctor Ordered.” She was also a National Magazine Award finalist for her November 2005 issue story on tort reform, titled “Hurt? Injured? Need a Lawyer? Too Bad!” and won the 2006 John Bartlow Martin Award for Public Interest, Magazine Journalism, for the same story. In 2013 she won her second National Magazine Award (again in the category of public interest), for “Mothers, Sisters, Daughters, Wives,” a compelling look at the state of women’s health care in Texas.
Over the years, Swartz’s work has appeared in Vanity Fair, Esquire, Slate, National Geographic, and the New York Times’ op-ed page and Sunday magazine. It has also been collected in Best American Political Writing 2006 and Best American Sportswriting 2007. She has been a member of the Texas Institute of Letters since 1994. Swartz grew up in San Antonio and graduated from Hampshire College, in Amherst, Massachusetts. She now lives in Houston with her husband, John Wilburn, and son, Sam.
The Menil removed “The Art Guys Marry a Plant,” a controversial performance piece, from its collection, a move that is stirring up Houston’s art scene once again.
In one year the eyes of the world will turn to Dallas’s Dealey Plaza for the fiftieth anniversary of John F. Kennedy’s assassination. Is the city ready?
How the 50th anniversary party for the Texas Heart Institute was really a glimpse into the Houston that once was.
Read this National Magazine Award-winning story about how the Legislature slashed funding for women’s health programs in 2011 and launched an all-out war on Planned Parenthood that has dramatically changed the state’s priorities. The battle continues raging, and the stakes could not be higher.
Over the past fifteen years, John Friend turned his Woodlands–based Anusara style of yoga into an internationally popular brand. Then, in the space of a few weeks, it became hopelessly twisted amid a wild series of accusations of sexual and financial improprieties.
The New Yorker writer talks about his latest book, Private Empire: ExxonMobil and American Power.
The author of Private Empire: ExxonMobile and American Power answers the question: In terms of difficulty, how would you compare reporting on Exxon with the reporting you did for your previous book, The Bin Ladens?
John Friend, the founder of Anusara yoga, recently found himself engulfed in a scandal that has piqued the national media’s interest. Mimi Swartz reports on the Texas takeaway and what this means for the homegrown practice.
The Supreme Court rejected the ex-Enron CEO’s latest appeal, a move that is hardly surprising to most Houstonians.
For a quarter of a century, the Art Guys, Michael Galbreth and Jack Massing, have been Houston’s master provocateurs, stirring up discussion with their wacky, thoughtful, and tenaciously marketed “social sculptures.” But have they finally gone too far?
Houston has always prided itself as a city that barrels forward into the future, and operates without memory, regret or nostalgia. But when developers began messing with the historic River Oaks Shopping Center, Houstonians raised their hackles.
Ten years ago this month, the company that once dominated Houston collapsed in a cloud of debt. But its ghost still haunts the city—and America.
Rick Perry’s stumbles on the national stage have inadvertently highlighted the weakness of his opposition back home—Texas Democrats.