Before joining the Texas Monthly staff, in 1989, executive editor Skip Hollandsworth worked as a reporter and columnist in Dallas and as a television producer and documentary filmmaker. During his tenure with the magazine, he has received several journalism awards, including a National Headliners Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing.
He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The 2011 movie Bernie, which Hollandsworth co-wrote with Richard Linklater, is based on his January 1998 story, “Midnight in the Garden of East Texas.”
No one ever suspected a thing until she asked her best friend if she could keep a terrible secret: the bizarre story of teenager Marie Robards, the devoted daughter who murdered her father.
How an East Texas attorney spawned the most massive products-liability case ever— one that has cost millions of dollars and involved thousands of plaintiffs and might never end.
After twenty years as the reigning queen of the soaps, the essential truth about Morgan Fairchild remains: She’s not a bitch, but she plays one on TV.
Since the day Stanley Marsh 3 finally went too far and locked up George Whittenburg’s son in a chicken coop, all of Amarillo has been abuzz about the bizarre battle between these intractable foes.
A young black man with a spotless record is facing a controversial death sentence for the murder of four whites. An East Texas town remains divided.
Is it possible to have a low-fat chip that tastes good? After three years of top-secret tinkering, Frito-Lay thinks it has hit upon the ultimate snacker’s delight.
Mary Kay Ash and Jinger Heath have made fortunes getting women to buy and sell their beauty proucts. But no lipstick or powder can conceal the ugliness between these Dallas cosmetics queens.
Eleven years after the death of her youngest daughter, Tanya Reid sits in an Amarillo prison. Is she a murderess, or has she been railroaded by overzealous procecutors?