Before joining the Texas Monthly staff, in 1989, executive editor Skip Hollandsworth worked as a reporter and columnist in Dallas and as a television producer and documentary filmmaker. During his tenure with the magazine, he has received several journalism awards, including a National Headliners Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing.
He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The 2011 movie Bernie, which Hollandsworth co-wrote with Richard Linklater, is based on his January 1998 story, “Midnight in the Garden of East Texas.”
Should Hollywood remake Giant? On the fortieeth anniversary of the filming of the Texas epic, we imagine Brad Pitt playing jett Rink’s grandson, Quentin Tarantino directing, and other scary scenarios.
The Humane Society wants to rein in Beltex of Fort Worth, one of the nation’s largest slaughterhouses.
He’s part Susan Powter, part David Letterman, part Dagwood Bumstead—and more.
Twenty-five years ago, in the wake of integration, he was the football star at my mostly white high school in Wichita Falls. Not much has gone right for him since.
When a teacher romances a student, are school officials to blame? That’s the crux of a case that began in the small town of Taylor and ended up in the U.S. Supreme court.
One night the pastor of Dallas’ all-powerful First Baptist Church mysteriously resigned. To this day, no one is sure why.
The family that plays together stays together. Meet one of the world’s most successful classical music clans.
To Dallas, the World Cup meant gearing up for riots, a crime wave, and—of course—real football.
After fifteen years, Tommy Tune and Larry L. King are at it again: The sequel to the most famous musical about our state opens of Broadway.