Before joining the Texas Monthly staff, in 1989, executive editor Skip Hollandsworth worked as a reporter and columnist in Dallas and as a television producer and documentary filmmaker. During his tenure with the magazine, he has received several journalism awards, including a National Headliners Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing.
He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The 2011 movie Bernie, which Hollandsworth co-wrote with Richard Linklater, is based on his January 1998 story, “Midnight in the Garden of East Texas.”
In her golden years, a lady is free to be imperious, incorrigible, impertinent, and altogether indispensable.
Codependency leaders preach that we are the victims of a psychological plague. It remains to be seen whether they are selling us a valuable insight or merely a bill of goods.
To find their true masculine selves, wildmen dance and sweat, bond and meditate, renounce their mothers and grunt, “Ho!” I thought, “Hmmm.”
Bonfire-crazed yell leaders Keving Fitzgerald and Brant Ince foresee defeat for fire’s foes.
When San Antonio’s Memorial Minutemen took on a crosstown rival, all they had to lose was their chance to go down in history as Texas’ worst high school football team.
There are bass in Sam Rayburn Reservoir, and the gals were out to hook ‘em. And Rhonda Wilcox hoped to hook the biggest one of all.
My father had to have an answer for everything—adultery, spiritual crises, the pigeons defecating in the church gutter. No wonder I didn’t become a preacher. The miracle is that my sister did.
The small-town orchestra has it all: performers who love the music passionately, audiences who lend their wholehearted support, and even occasional moments when all the instruments are playing the right note.
Thanks to the vision of the Dallas Arts District, the city has finally created a masterpiece in the heart of downtown.