Before joining the Texas Monthly staff, in 1989, executive editor Skip Hollandsworth worked as a reporter and columnist in Dallas and as a television producer and documentary filmmaker. During his tenure with the magazine, he has received several journalism awards, including a National Headliners Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing.
He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The 2011 movie Bernie, which Hollandsworth co-wrote with Richard Linklater, is based on his January 1998 story, “Midnight in the Garden of East Texas.”
Summer vacation is right around the corner, but that doesn’t mean you should panic. We’ve rounded up 68 of our favorite things to do with your toddlers, teens, and every kid in between. Dance the hokey pokey. Rope a horse. Eat way too many hot dogs. Zip down a waterslide. And yes, feed the animals.
Did Kari Baker, despondent over her daughter’s passing, commit suicide? Or was she killed by her husband, Matt, a Baptist preacher in Waco and an alleged sexual predator? He says he didn’t do it, but her family insists otherwise—and they say they’ll keep after him until justice is done.
No Country for Old Men is Tommy Lee Jones’s new movie. I don’t think he’ll be granting me an interview anytime soon.
After spending her adolescence largely out of view (except for a few scrapes with restaurant and bar employees), presidential spawn Jenna Bush is emerging as a public person in her own right. But her return to private life can’t come soon enough.
So what if Sandra Brown’s novels have wildly implausible plot twists, banal endings, over-the- top characters, and other literary no-no’s. She’s published nearly 70 of them since 1981, and 55 have gone on to be best-sellers. We’re sure the sex scenes have nothing to do with it.
What was it, exactly, that caused Vickie Dawn Jackson, a sweet, soft-spoken nurse at Nocona General Hospital, to become one of the most prolific serial killers in Texas history?
When the rough-and-tumble bikers known as the Bandidos gathered in San Antonio for the funeral of one of their beloved members, they swore a lot, drank a lot, defended themselves against the police and the public’s misperceptions, and—amazingly— let a reporter observe the whole fascinating scene.
The young, tattooed men who are members of the Southwest Cholos, La Primera, La Tercera Crips, Somos Pocos Pero Locos, Mara Salvatrucha, and other Houston gangs are vicious career criminals who regularly rob innocent people in some of the city’s most dangerous neighborhoods. They steal cars and break into businesses. They deal drugs on street corners. And they constantly wage war with one another.
To Addison they come, tweens and teens with talent in abundance, so Linda Septien can teach them how to be the next big thing. Jessica Simpson is her most famous success story, but there are many others. And more in the making.
If he was asked what he did for a living, Roddy Dean Pippin would smile and say something about the cattle business. But he didn’t exactly buy and sell cows. He stole them. And right up until he was caught, he was as good as any such thief had ever been.
A real-life G.I. Joe, Master Sergeant James Coons hardly seemed like a candidate for post-traumatic stress disorder. But when his demons got the best of him, there was nothing anyone could do—not that anyone really tried.
On screen and off, his affect is that of someone who should not be disturbed: a crotchety, contentious, impatient, and thoroughly genuine West Texan. That’s what makes his characters—including his latest, the lead in The Three Burials of Melquiades Estrada— so believable.