Before joining the Texas Monthly staff, in 1989, executive editor Skip Hollandsworth worked as a reporter and columnist in Dallas and as a television producer and documentary filmmaker. During his tenure with the magazine, he has received several journalism awards, including a National Headliners Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing.
He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The 2011 movie Bernie, which Hollandsworth co-wrote with Richard Linklater, is based on his January 1998 story, “Midnight in the Garden of East Texas.”
Texas’ largest nursing home chain says it provides a “better place to live” for more than six thousand elderly men and women. State investigators tell a much different story.
For the first time in its history, the world-famous King Ranch is being run by someone other than a descendant of its founder. Can the mythic institution survive a changing of the guard?
If the Dallas Cowboys thought last season was unpleasant, wait until they open training camp in Wichita Falls.
In suburban Fort Worth the frail psyche of a football prodigy collided with the crazed ambition of his dad, who himself had been a high school football star way back when. The consequences were deadly.
After years of attacking members of the Dallas City Council, journalist Laura Miller wants to be one.
The verdict is in: Oprah loves Texas—and Texas loves Oprah. The queen of daytime talk swept into the Panhandle, turned the tide of public opinion, and had courtroom watchers asking, Where’s the beef?
In sleepy Carthage a rich, haughty widow disappears, and nobody seems to notice. When she turns up dead, everybody seems to feel sympathy for the nice young man who killed her.
The feud between billionaire Harold Simmons and his daughters is worthy of Shakespeare.
She had a secret life, and so did her husband. For a while they seemed to have a pleasant existence in the affluent Houston neighborhood of River Oaks. But then she turned up dead.