Before joining the Texas Monthly staff, in 1989, executive editor Skip Hollandsworth worked as a reporter and columnist in Dallas and as a television producer and documentary filmmaker. During his tenure with the magazine, he has received several journalism awards, including a National Headliners Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing.
He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The 2011 movie Bernie, which Hollandsworth co-wrote with Richard Linklater, is based on his January 1998 story, “Midnight in the Garden of East Texas.”
The way two mysterious deaths affected the town of Childress says a lot about the lure of satanism and the power of gossip.
God save the queen! A Dallas hotel company has won the right to manage London’s most exclusive property.
How to beat the heat, find the food, and master the coasters at Texas’ four big theme parks.
Rodeo, rodeo, wherefore art thou rodeo? Mary Ellen Mark went to small towns all over Texas to find out.
Steve Benifiel was an old-fashioned outlaw who practically owned the town of Ranger—until he was busted for running one of West Texas’s biggest drug rings.
Young girls who want to win an Olympic gymnastics medal have to pay the price, and Bela Karolyi makes sure that they don’t get of cheap.
Nice-guy bodybuilder Larry North has muscled his way into Dallas’ power circles.
Amid charges of brutal hazings and racist attitudes, UT’s fraternity row is taking a beating.
How the battle for the Southwest Airlines account turned into a long-awaited showdown between Texas’s two top agencies.
Not since Remington and Russell has a cowboy artist sold so many works-for so much-Fredericksburg’s G. Harvey.
With his bust-a-gut jokes and cornpone tales, backwoods humorist Bob Murphey delivers a time gone by.
Drug treatment seldom works: at many centers, greedy entrepreneurs prey on frightened parents and troubled kids. But one teenager’s parents decided to take one last, desperate step: they sent their son to the toughest program in Texas.
In her golden years, a lady is free to be imperious, incorrigible, impertinent, and altogether indispensable.