W. Taitte
Stories
On its Houston stop, the Acting Company unpacked performances for Texas theaters to live up to. Austin’s Center Stage is in the know but lacks the how.
On its Houston stop, the Acting Company unpacked performances for Texas theaters to live up to. Austin’s Center Stage is in the know but lacks the how.
Dallas Civic Opera is a grand old lady who knows her European opera. But sometimes she gets a little senile.
Dallas Civic Opera is a grand old lady who knows her European opera. But sometimes she gets a little senile.
Houston and Dallas opera companies could fudge on shoe sizes when it came to casting Cinderellas, but the voices had to fit just so.
Houston and Dallas opera companies could fudge on shoe sizes when it came to casting Cinderellas, but the voices had to fit just so.
When Stage #1 opened as a halfway house for theater graduates from SMU, the participants weren’t pitied but applauded.
For the sake of the audience, it’s a question that needs to be asked. College productions of A Doll’s House show why actors go to school. Fort Worth has good actors and good producers—but not, alas, in the same theater.
For the sake of the audience, it’s a question that needs to be asked. College productions of A Doll’s House show why actors go to school. Fort Worth has good actors and good producers—but not, alas, in the same theater.
A young Russian defector blows his chance to win the Van Cliburn International Piano Competition and goes on to find fame and fortune.
A young Russian defector blows his chance to win the Van Cliburn International Piano Competition and goes on to find fame and fortune.
The leaders of Houston and Dallas symphony orchestras start off the season with two perplexing concert series.