Wed January 21, 2015 12:01 am By Layne Lynch

Dig out your pants with the elastic waistband: a gluttonous lineup of Texas chefs, interactive culinary demos, and tastings is on the roster for the fourth annual Austin Food & Wine Festival, which runs from April 24–26.

Tickets to the highly anticipated event go on sale today, January 21, at 10 a.m. Similar to years past, the gourmet gathering at Austin’s Auditorium Shores and Republic Square Park promises a substantial lineup. The forty-odd events include the ever-popular grilling demo by Tim Love, owner and chef of Lonesome Dove Bistro and Woodshed Smokehouse in Fort Worth; chefs cooking over fire pits; celebrity chef book signings; and a smorgasbord of other delicious tidbits. 

For those who want the no-holds-barred experience, the $550 “All-In” admission package grants access to all the cooking demos, one of Love’s grilling demos, interactive fire pits, food/beverage tastings, book signings, Saturday’s and Sunday’s Grand Tasting and tickets to the Taste of Texas, Rock Your Taco, and Sip & Sweets events. (The name of the package really seems to say it all.)

At less than half the price, “The Weekender” buys you most of the same perks, but you’ll miss out on the grilling demos and you’ll have to purchase separate tickets to the Taste of Texas, Rock Your Taco and the Sip & Sweets events. 

A private pre-festival dinner, dubbed the Feast Under the Stars, kicks off the festivities on April 23. It’s a five-course, family-style dinner cooked up by many of Texas’s most acclaimed chefs, including Love, Uchi’s Tyson Cole, Matt McCallister (FT33, Dallas), Eric Waksmunski (Red Star Southern, Austin), and Jason Dady (Tre Trattoria, San Antonio). 

The next day the festivities open up to the ticket-buying public, starting with the Taste of Texas, where people can sample dishes made by both the rising and established chefs of Texas chefs, like Justin Yu (Oxheart, Houston), Hugo Ortega (Hugo’s and Caracol, Houston), Tatsu Aikawa (Ramen Tatsu-Ya, Austin), Allison Jenkins (La V, Austin), and Wayne Mueller (Louie Mueller Barbecue, Taylor), just to name a few. 

A signature of the festival has become its fire pits demos. Chefs cook over open flames, and people are able to have a front-row view to watch them practice their craft. Demos will be led by a number of notable culinary masters, including David Bull (Congress, Austin), Thai Changthong (East Side King and Thai-Kun, Austin) Terrence Gallivan and Seth Siegel-Gardner (both from The Pass and Provisions, Houston), Jack Gilmore and Bryce Gilmore (Jack Allen’s Kitchen, Barley Swine, both Austin), Jorge Hernandez and Paul Qui (Qui, Austin), Pat Martin (Martin’s Bar-B-Que Joint, Nashville) Tandy Wilson (Nashville’s City House), and Andrew Wiseheart (Contigo and Gardner, Austin).

Saturday and Sunday’s signature mix-and-mingle event, Chef Showcase, is a sampler’s paradise, hosted by an all-Austin group, including John Bates (Noble Sandwich Co.), Ji Peng Chen and Ling Qi Wu (Wu Chow), Shawn Cirkiel (Parkside and Olive & June), Sonya Cote (Hillside Farmacy and Eden East), Andrew Curren and David Norman (Arro and Easy Tiger), Todd Duplechan (Lenoir), Jesse Griffiths (Dai Due), James Holmes (Olivia), Lance Kirkpatrick (Stiles Switch BBQ), Sarah McIntosh (Épicerie Café & Grocery), Eric Silverstein (the Peached Tortilla), and many more.  

Also on Saturday is the Rock Your Taco competition. Last year’s winner, Richard Blais (FLIP Burger, San Diego’s Juniper & Ivy), goes up against the following chefs: Hugh Acheson (Atlanta’s Empire State South), Paul Qui, Tyson Cole, Tim Love, Jason Dady, Bryce Gilmore, Antonia Lofaso (Black Market in Los Angeles), Jenn Louis (Portland, Oregon’s Lincoln Restaurant and Sunshine Tavern), Tony Mantuano (Chicago’s Spiaggia, Bar Toma and Terzo Piano), Chris Shepherd (Houston’s Underbelly), Levon Wallace (Cochon Butcher in Nashville), and several more celebrity chefs.

The taco competition will be judged by Christina Grdovic (Food & Wine publisher), Graham Elliot (Graham Elliot Bistro), and Andrew Zimmern (national television personality).

The festival continues into the evening with the Sip & Sweets after-party. The casual dessert and cocktail party features creations from Austin pastry chefs Mary Catherine Curren (Easy Tiger and Arro), Thomas Calhoun (Lenoir), Janina O’Leary (La V), Callie Speer (Swift’s Attic), and Finney Walter (Olivia). 

The Austin Food & Wine Festival’s full talent lineup and schedule of events will be released on February 18. For more information in the meantime, please visit the Austin Food & Wine Festival website

Fri November 21, 2014 5:09 pm By Jessica Dupuy

lost draw vineyards brownfield
Earlier this year I reported on the status of the 2014 grape harvest. Though better than 2013, this year also proved to be a challenge for Texas grape growers due to late spring freezes, especially for the operations in the High Plains. 

But one grape grower seems to have broken through on combating some of Mother Nature’s most challenging antics. Andy Timmons, of Lost Draw Vineyards in Brownfield, has been investing in more progressive technology and agricultural practices to protect his vines. He’s also diversifying his portfolio by starting his own winery, Lost Draw Cellars, in Fredericksburg, a strategy that will allow him to control his product from farm, as it were, to table. . 

Timmons’ journey from vine to glass looks more like a meandering river rather than a straight path, but for all the mentors he’s gained and techniques he’s learned—and continues to learn—along the way, he wouldn’t trade any of it. 

Originally from Brownfield, a small town near Lubbock, Timmons graduated from Texas Tech University with a degree in agronomy, a fancy word for professional farming. This kind of work is almost a family legacy for Timmons. His ancestors grew row crops in the South until the Civil War forced them to relocated to Graham, Texas. “The boll weevil finally chased us out of there and into the High Plains and we’ve been farming this red earth ever since the early 1900s although I’m really the only guy left in our family who is farming.”

We had a chance to talk with Timmons following harvest this year to find out more about his experience in transitioning from cotton and peanut farming to grape growing, the biggest lessons he’s learned a long the way, and his anticipation for Lost Draw Cellars, which opens this weekend. 

(Andrew Sides, Andy Timmons, and Troy Ottmer of the new Lost Draw Cellars | Photograph by Claire McCormack)

TM: You originally began your farming career with row crops like peanuts and cotton. What made you get into grapes? 

Andy Timmons: It was about 2005 when I first got the idea to grow grapes. My good friend Larry Young had taken over his dad’s vineyard up here. My brother Dusty had already gotten involved with grape growing and they convinced me I could do it. 

Because Texas is still such a new frontier, almost everyone has to have a mentor. Larry and Bobby Cox took me under their wing and taught me everything they could. Bobby is one of the original Texas grape grower with vineyards from the ’80s that are still producing. They were the first to tell me that Texas was different than any other place for growing grapes and that we had to make our own way of doing things. 

TM: What’s different about Texas? 

Timmons: This is not California or Washington. In this state, our problems won’t be the same from year to year. We’ve got hail and wind, freezes and drought. It’s been a difficult learning process for me. But it’s worked out because the wineries I work with have been really good to talk with me about exactly what they’re looking for in their grapes. We’ve been able to walk through the process together. But I’ve realized it’s a complex business. Growing grapes is sort of like onion. Once you peel back a few layers, there’s all this other stuff you have to learn. It’s never-ending. 

When you look at what people are doing in Washington or California, you have to filter what really applies to you. It also helps that we do have a few decades of grape growing under out belt in Texas. We may not have everything figured out, but with the speed of information over the internet as well as sites like YouTube, you really can learn just about anything and figure out how to make it work here. 

TM: You’re not the first person in the High Plains to move from row crops to start growing grapes. Neal Newsom, Jet Wilmoth, Cliff Bingham and others have also done it to name a few. Do you think this is a growing trend for the High Plains?

Timmons: I hope so. I have a lot of friends who are really good farmers who have started talking about doing it. If you’re a good farmer, you’ll be a good grape grower. The thing that holds people back is the snobbery of wine. It can be intimidating to walk into a winery to sell your grapes not knowing if someone is going to buy them or not. The job is yours to do the selling and it’s really important to know how to build relationships to get that going. And you have to be willing to take a hit when you’ve made a mistake in the vineyard. I’ve had several situations where I’ve had to let wineries out of their contract for the amount of grapes they wanted simply because I wasn’t going to sell them bad fruit. In the end, it’s my name by that product and I have to be proud of what I’m selling them. 

TM: Are you still working with peanuts and cotton? 

Timmons: Not as much in the last two years. I have a business partner who manages the land I have in row crops. I’d like to focus just on the grapes, but the truth is, with a dismal harvest like we had last year and this year, you do need something on the side to support the grape growing habit. It’s not 100 percent every year so until we figure out something different, it’s just what I have to do. 

TM: It seems you’ve really hit the ground running trying to learn how to progress Texas viticulture to take pace with other American grape growing regions. How have you gone about doing it? 

Timmons: It’s a combination of a few things. I’ve made a point to travel to other wine growing regions in the country to find out what I can from other people have. I’ve met people with 40+ years of experience doing this in different areas and they’ve all been willing to share information with me. Texas’ story is not unlike Washington in the 1980s and wineries like Chateau Ste. Michelle changed everything for that region. 

I’ve also used technology to come up with better irrigation strategies. I didn’t really have to do that with row crops. It’s possible to under water and over water. And a lot of it has to do with the canopy of the vine, which has everything to do with the plant being able to balance itself and not have too much vigor. But you can’t do just do the same thing across the board. Every grape variety needs something different. Every clone, every root stock. It’s a lot to manage when you have a wide range of grape varieties to work with.

This year was the first time I used wind machines. They use them all over the world, but no one was using them in Texas. Last year I bought four of them that stand about 45 feet above forty acres of my vineyards with 18-foot panels that fan wind over the vines to keep temperatures a few degrees above the actual temperature. That investment saved me this year. I had those machines blowing over five acres of Viognier and was able to bring in six tons an acre during harvest. Last year, without the wind machines, I was only able to bring in 800 pounds after a devastating number of spring freezes.

TM: These machines cost about the same as a luxury car. Do you plan to order more? 

Timmons: I already have. I want to see the Texas Wine industry work. To do that, we can’t paint our hat on certain grape varieties if we can’t do them well consistently from year to year because of frost. We need to be able to perfect the grapes that work well here each year. That will also prevent wineries from having to go out of state to buy fruit. We’ve got to progress beyond that. 

If we can get to the point where we’re not losing money on years where we have freezing, it keeps things moving forward for all of us. Since I’ve been touting the wind machines, I understand from the Washington company that sold them to me that there are about 40 wind machines coming to Texas this year. That’s definitely progress. 

TM: You’ve talked about wanting to have 1,000 acres of vineyard planted and under your management by the end of 2015. That would make you the largest grape grower in the High Plains. Why the ambition?

Timmons: It may seem like I’m trying to stay ahead of the curve in Texas but it’s really just trying to catch up with the rest of the American wine industry. We’re so handicapped out here because we’re still figuring so many things out. A lot of it is lack of enology education that’s specific to Texas. That’s slowly starting to change, but when you add equipment, vineyard management and overall acres planted into the mix, we’ve got a long way to go before we really catch up. 

Bottom line, we have to have more grapes, so the growers have the ability to fund the research we need. I don’t know how far we are from that, but we’ve got to keep moving forward. There are other challenges we’ll have to overcome, like finding more tank space to handle more fruit coming in at harvest each year, but I’m optimistic that we’ll get there. 

TM: And now you’ve decided to open a winery? Was grape growing not enough? 

Timmons: I guess you could say it was just a natural progression. I’ve always wanted to be vertically integrated in this business from growing, to selling, to being a part of the end result. I really enjoy seeing other people enjoy something that I’ve put time and effort into and you don’t really get that with cotton or peanuts. You don’t really see anyone enjoy the underwear your cotton helped make or the peanut butter some of your peanuts went into. 

The opportunity came through a nephew of mine Andrew Sides, who married into a Fredericksburg family, the Ottmers. I met with Troy Ottmer and we decided to build a tasting room out of a building he owned in town. Andrew joined are partnership and we developed our business plan. For wine, it was easy. I live ten minutes from one of the best winemakers in the country, Kim McPherson of McPherson Cellars. He’s agreed to teach me as much as he can and make my wines for me for our label, Lost Draw Cellars, which is an extension of my vineyard name, Lost Draw Vineyards. I’ve always believed that if you get the best people you can find to surround you and keep your ears open and your mouth shut, things will start to happen.   

TM: What has been the biggest challenge to opening the winery?

Timmons: We really want to sell wines that have 100 percent Texas fruit, but the harvest has been so rough in the past two years that I’ve had to get fruit from other states just to have wines ready for when we open. About a third of our wines this year will be from Texas fruit. Next year, that will be different. Being a grower, I have a vested interest in selling wines that have grapes that I grew in them. That’s a priority for me. Right now we’ve got about 3,000 cases to work with and hopefully next year’s harvest will bring us enough fruit to build on that number. 

Mon October 27, 2014 5:28 pm By Jessica Dupuy

If you’re familiar with Texas wines, you’ve probably heard of Fall Creek Vineyards. Not only is it one of the oldest wineries in the state, dating back to the late seventies, but restaurants and retail outlets across the state keep their bottles in stock. But with its relatively isolated location in Tow–a small community near Lake Buchanan and more than seventy miles northwest of Austin–most foot traffic out to the winery has been confined to weekend road trippers and wine club members out for special events around holidays. 

But kind of like everyone else drawn to the glow of Austin, Fall Creek owners Ed and Susan Auler are moving a bit closer to the city. The winery plans to celebrate its fortieth anniversary by opening a tasting room and production facility in Driftwood. Their new place is going to be located directly across from The Salt Lick, one of the state’s most famous barbecue joints. 

“[Salt Lick owner] Scott Roberts introduced me to Driftwood more than twenty years ago,” Ed said. “It’s an area we’ve become more a part of since we’ve sourced many of our grapes from the Salt Lick Vineyards. It made sense for us to have a better connection with the grapes we’re using, and we’ve been waiting for the right opportunity to present itself.” 

That opportunity came this past May when Ed learned that a seventeen-acre plot of land just across the street from the Salt Lick–complete with access to Onion Creek and a modern Hill Country home–was available. He bought the property, and is now working on converting the onsite house into three wine tasting areas. He’s also adding a patio and several lounging areas for guests. 

During a preview tour of the property, some of Fall Creek’s newest wines were served for a tasting. They’re the lastest additions to the winery’s portfolio, courtesty of winemaker Sergio Cuadra, who joined the team last year after Fall Creek launched a nationwide search for the position. Among them was an experimental Chardonnay, something Cuadra concocted last year, literally hours after he initially arrived to his new job. He gently pressed the grapes and had them put straight into new French oak barrels to ferment just so he could see what would happen. During a first tasting of the wine last year, it was young and creamy with bright acid and pleasant orange, lemon-zest, and faint melon notes. Now, with more than a year of aging in the single barrel it began in, the wine shows a greater depth of maturity with a fragrant nose of orange blossom, ripe pear, and subtle vanilla. On the palate, the wine was alive with racy acidity, broad citrus notes and a lingering finish. The pleasant reception of the wine is great news for the winemaker’s first project with the winery, but it’s unfortunate there will be a very limited quantity available once it is bottled. 

For Cuadra, the Chardonnay was more of an experiment than anything else. Not having worked with the Texas climate and with Texas’ diversity of soils, he was curious to see just what Chardonnay, a typically cooler climate grape, could do. “It’s amazing that we’re not seeing heat damage to grapes in the same way we would see it if a place like California had temperatures above 100 for a few days,” he said. “Here, grapes seem to have adapted to the extended heat in our summers. The difference that I’m seeing is that the plants just have to work a lot harder and faster to get their grape chemistry to the right levels, which is why we tend to finish our harvest season before anyone else.” 

“No one in the international sphere is going to back up planting Chardonnay in Texas. I never would have. But then you have this. How do you explain this? I’m amazed at how flexible and adaptable these vines are and at the quality of grapes they can produce.” 

The new tasting room and facility in Driftwood will open to the public in early 2015, and Fall Creek plans to plant five acres of vineyard on the property within the next year. 

Thu October 16, 2014 2:04 pm By Patricia Sharpe

Esquire published its annual best new restaurants list, and Texas did quite well, getting three nods (only California had more, with four).

Food writer Josh Ozersky chose the winners, and Austin’s Paul Qui, chef-owner of Qui, received one of the top honor’s, being named Esquire’s chef of the year. Knife steakhouse in Dallas was also among the magazine’s top twelve restaurants of the year, while Cured, a charcuterie house and restaurant in San Antonio, was designated one of six runners-up. 

Ozersky called Knife “the steakhouse of the future,” and credited its chef, John Tesar (also chef at Spoon seafood restaurant in Dallas), for sourcing much of its meat from Texas’s 44 Farms and for selling a steak for $25. (Strangely, Ozersky did not mention the steak that has received the most media attention, the special 240-day-aged ribeye.) 

In praising Paul Qui (pictured center, below, with Qui’s PR maven, Deanna Saukam, and Ozersky), Ozersky wrote, “Qui came to national prominence a few years ago when he won Top Chef … but before that he was revered in Austin for his work at Uchi, the city’s best Japanese restaurant … One side of his new restaurant [Qui] has a tasting counter serving as a platform for his most ambitious and precarious creations. A few hundred feet away, on the patio, he’s serving Filipino street food.”  

Fewer words were dedicated to Cured, but Ozersky noted the restaurant’s interior design and chef Steve McHugh’s specialty items: “[Cured occupies a]n ancient building, gutted out, and filled with all the products of a skilled chef’s imaginings; the place is named for its hams but it’s the whole hogs and other roasted meats that soar the highest.”  

Esquire’s list has undergone a major overhaul this year. In contrast to previous years—when then critic John Mariani would name a large number (upwards of 100) of largely fine-dining venues as the best new places in the country—this year Esquire tapped food writer and personality Josh Ozersky to pull together the list. It is much shorter and much more varied, but there are supplementary goodies online. One such is the writer’s “All-Star Dinner,” with favorite dishes from his travels. 

And just what are the qualifications of Esquire’s new food czar? From his online bio: “Josh Ozersky is the executive producer and host of Ozersky.TV (which makes short videos about the New York food scene). He also writes the “Taste of America” column for Time magazine and is the author of the book The Hamburger: A History (2008). A winner of a James Beard award for food writing, he was formerly the editor of New York magazine‘s food blog, Grub Street. He also produced the festival Meatopia. He lives in New York City.”

Thu October 9, 2014 12:18 pm By Dan Oko

Regarded as the Super Bowl of Beer, the Great American Beer Festival, which wrapped up its thirty-second iteration in Denver the first weekend in October this year, offers a chance for brewers to showcase their stuff at the nation’s largest tasting competition. On the floor of the convention hall, however, GABF—which hosts more than 700 brewers and nearly 50,000 visitors annually—the competition devolves into a mutual admiration society a la the Academy Awards, and there’s no question that Texas brewers were on the receiving end of a lot of that love. 

Fourteen breweries were awarded sixteen medals (last year, Texas brought home ten medals), including six golds. There were surprises aplenty, with many of the winners clustered around North Texas—as opposed to Austin, which is in danger of losing some of its luster as Texas’ craft-brewing capital. Moreover, of the six gold-medal winners, nary a one conformed to the hop-heavy, alcohol bombs that have been dominating beer sales nationwide the past couple of years. In fact, five of the six MVPs that won gold this year show the heavy influence of British brewing traditions. That was enough to make Texas the fourth-winningest state behind only California, Oregon, and Colorado. 

To celebrate, here’s a look at Texas’ gold medalists—with the caveat that about half of these beers are limited releases you will be lucky to find on tap even at the breweries themselves.

Gold: Aged Beer 

Peticolas Brewing Co. — 2012 Great Scot!
(6.8% alcohol by volume; 24 international bitterness units)

Last summer in Dallas, attorney-turned-brewer Michael Peticolas had a hunch that his aged Great Scot!, a coppery Scottish-style ale built on roasted malt flavors popular in the United Kingdom, might be ready for prime time. “Scotch ales are known to age well,” says Peticolas, who in 2012 also earned a gold medal with his Royal Scandal English Pale Ale. “We did a vertical tasting [when each vintage is tasted], and we were blown away. We were like this ‘2012’ is doing something interesting. It has a lot of chocolate.” With the aged category wide open for any brew older than one year, according to GABF rules, Peticolas wisely grabbed the chance to add to his GABF hardware with this limited-release brew.

Gold: Belgian-Style Lambic or Sour

Real Ale Brewing — Benedictum
(5.4% ABV; IBU n/a)

Wild Texas yeast and sour cherries combine to make this entry from Real Ale’s draft-only Mysterium Verum (“true mystery”) product line an irresistible draw for GABF judges. Tasters are instructed in contest paperwork to judge for “low hop aroma,” “cheesy or floral character,” and “characteristic horsey, goaty, leathery… flavors.” Got that? Well, Erik Ogershok, who joined the Blanco-based company from Victory Brewing in Pennsylvania, certainly did. But Ogershok says ingredients are only part of the magic on this concoction, noting that the beer was fermented in the collection of wooden wine and whiskey barrels Real Ale saves especially for all Mysterium Verum releases, which are typically aged six years or more.

Gold: English-style Brown Ale

Grapevine Craft Brewery — Sir William’s English Brown
(4.9% ABV; 21 IBU) 

One of the newest North Texas breweries, Grapevine just started canning this September, and, for now, its distribution is limited to the DFW area and Austin. Meanwhile, owner Gary Humble, a former pastor, is anything but when it comes to his 2014 win: “That essentially makes us the best English-style brown in the country,” Humble says. According to the GABF tasting, a proper English Brown emphasizes roast malt flavors—Grapevine relies on English imports—and avoids the strong hops aroma associated with IPAs. “It’s the opposite of what’s going on in most of the beer world,” says Humble, noting that Sir William’s also has relatively low alcohol. “But frankly, I founded the brewery, and this is what I like to drink.”

Gold: Extra Special Bitter 

Community Beer Company — Public Ale
(5.5% ABV; 38 IBU)  

Inspired by popular British import Fullers ESB, this is the second consecutive year Public Ale has garnered gold in Denver—all the more impressive given that Community just starting selling beer eighteen months ago (and managed a bronze medal this year for its Ascension coffee beer as well). Community relies on all English ingredients. Acknowledging his debt to the British pub tradition, founder Kevin Carr anticipates being a standard-bearer for American ESBs for years to come. “We have it pretty well dialed in,” he says. “We haven’t changed it since it was first released.” GABF describes the style like this: “The residual malt and defining sweetness of this richly flavored, fullbodied (sic) bitter is medium to medium-high … The overall impression is refreshing and thirst quenching.” Sounds like a winner.

Gold: Imperial Stout 

Armadillo Ale Works — Quakertown Stout
(9.2% ABV; 50 IBU) 

Named for Denton’s historic Quakertown Park, Armadillo’s boozy award-winning brew is a little strong for a breakfast beer, but the inclusion of a heavy dose of oats and a touch of maple syrup make it a tempting way to start the day. The brewery is still new—brewing, for now, under a cooperative agreement with Dallas’ Deep Ellum Brewing—but the GABF-winning stout was the result of extensive tweaking and experimentation, says brewmaster Bobby Mullins. “We did a lot of tasting for friends and families,” Mullins explains. “It was sort of no brainer to come out with this as our first release.” GABF describes Imperial Stouts as having “Hop aroma … very low to medium, with qualities such as floral, -citrus or -herbal. Extremely rich malty flavor, often characterized as toffee-like or caramel-like.” Mullins acknowledges that the heavy flavors and dark complexion may be a change for Texans accustomed to a lighter warm-weather beers, but Quakertown is sure to find its fans. 

Gold: Ordinary or Special Bitter 

Oasis Texas Brewing Co. — London Homesick Ale
(4.9% ABV; 27 IBU)

Another newcomer busts out with another English-style ale—this time London Homesick from a five-month-old Hill Country operation on Lake Travis that replaced the ill-fated Billy’s Brew and Que. Veteran brewmaster Spencer Tielkemeier, formerly with Austin’s 512 Brewery, takes his “best bitter” as he refers to the style, seriously. In fact, the brewer’s proudest moment prior to GABF was reports from Londoners at the Oasis that this a crisp, light brew designed for easy drinking tasted exactly like something they might find in England. “A lot of Americans find it a little bland or boring,” he acknowledges. “So it was special for us to win, and to have the judges recognize our effort.” Success is due, in part, according to Tielkemeierto the liberal use of imported English Challenger hops and UK yeast strains, and then tuning the mineral content of the water used to match London’s. With London Homesick now being canned—we’ll take him at his word and skip the flight.



St. Arnold’s, Weedwacker (German-style wheat beer)
Austin Beerworks, Fire Eagle (American-style strong pale ale)
Thirsty Planet Brewing, Yellow Armadillo (American-style wheat beer)
Pedernales Brewing Co., Lobo Negro (German-style schwarzbier)
5 Stones Artisan Brewery, Aloha Piña (Herb and spice beer)


St. Arnold’s Summer Pils (Munich-style Helles)
Spoetzl Brewery Shiner Bock (American-style Dark Lager)
Rahr & Sons The Regulator (German-style Dopplebock or Eisbock)
Pinthouse Brewpub Jaguar Stout (Wood- and Barrel-aged strong stout)

(Photo: Brewers Association and Jason E. Kaplan)