Evan Smith: If Stanley Marcus were around to celebrate the hundredth anniversary of the founding of Neiman Marcus this month, would he recognize the 2007 version of the company?
First, a confession: I do not like to wear makeup. Whether this is a consequence of living in Austin, where flawless, full-coverage foundation can mark you as a hopelessly unhip out-of-towner—”That’s so Dallas,” Austinites like to sniff—or simply my own failure as a woman, I’m not sure. Only when it was forbidden by my mother, in junior high, did I wear makeup with abandon.
IN TERMS OF BOTH fashion vision and marketing savvy, Tom Ford, the guru of Gucci, is the envy of other designers. Since 1995, his sleek, sexy creations have quadrupled the Italian company’s gross annual sales (now $1 billion), and the New York Times ranks him with Coco Chanel, Christian Dior, and Yves Saint Laurent in the pantheon of fashion greats.
1 and 2: For his vases and bowls, Frisco wood turner Chas Thornhill gathers the found timber of Bradford pear, elm, and red cedar from razed plots and the expansive grounds of his hunting and fishing club. From $55; chasthornhill.com
1. This sterling buckle affixed with the Medal of the Immaculate Conception takes Austin brothers Demian and Alex Vazquez fourteen hours to craft. $1,495; dandabrothers.com
2. Each creation by Ingram-based Clint Orms is named for a county in Texas. Kenedy inspired this overlaid and filigreed sterling trophy buckle with a ten-karat rose-gold steer head. $7,150; clintorms.com
1. Sisters Stacy and Laurie McFadin produce this fold-over clutch, a celebrity favorite, at their family’s fifth-generation cattle ranch in Sabinal. $180; McFadin.com
2. Stash Studios constructs this soft but sturdy messenger out of rare curly white cowhide, using vintage boot-making equipment in a century-old former mattress factory in Sealy. $429; stashstudios.com
An international photography crew swooped down to Amarillo in December to do a Vogue shoot at Cadillac Ranch that ran in the magazine’s March issue.
Brittany Nunn of the Amarillo Globe-News has the backstory of photographer Mario Sorrentis’ shoot on that “cold, foggy weekend in December.”
Steele, a Colorado native, moved eleven years ago to Austin, where she is now the wig master for the Austin Lyric Opera. She has toured the U.S. and Mexico with the Broadway production of The Lion King and served on the beauty crew of the world premiere of Elton John’s Aida, and these days—for fun and extra money—she tends to the artificial locks of several drag queens.