It was finally show time. Cheeks brushed for air kisses. Champagne flowed freely. After more than ten years and $354 million dollars donated mostly from private pockets, the AT&T Performing Arts Center opened with a whirlwind of ballet, opera, and theatre. Over the course of three days, some of Dallas’s most deep-pocketed philanthropists mingled with artists, architects, and aesthetes. The Margot and Bill Winspear Opera House, with its glossy candy apple red exterior, hosted ballet, opera, and a night of Broadway.
It was a whirlwind of fun during Austin’s first-ever fashion week (July 12–19). On a typical day, we (my mother and sister tagged along) dressed (fashionably, of course), loaded up the car, and tried to navigate our way around the city as we went from show to show. We chatted with designers and previewed the next big things. Here’s a little peek.
Susie Q. (not her real name) has been reviewing hotels, restaurants, and retailers anonymously for about six years. She works for several market research companies, such as Sinclair Customer Metrics, to whom she reports her findings after posing as an everyday customer and testing out products and services. She has lived in San Antonio for more than 25 years.
NAME: Cerón | AGE: 45 | HOMETOWN: Houston | QUALIFICATIONS: Equally good with scissors and sweet talk / Owner and artistic director of Cerón Salon, whose clients include Phoebe Tudor, Holly Moore, and Diane Lokey Farb, among others / Has “done” Paris Hilton, Cindy Crawford, Lauren Hutton, Lisa Rinna, and Ivana Trump
Some people wouldn’t be caught dead in a Salvation Army. (As a woman I know recently put it, “Don’t you wonder whose dress you’re wearing?) Others consider thrift shopping a way of life. I’m in the latter camp. Why do I love to thrift? It boils down to the thrilling possibility of finding something really, really great for really, really cheap. Buying second-hand means you can wear interesting clothes that are unique to you, without breaking the bank.
Goosefeathers and G2
Evan Smith: This is an issue all about style, which is not just fashion or just design—it’s those things and more. When you think about style definitionally, what do you put in that bucket?
Shudde, a fourth-generation hatter, was born and raised in Houston. He runs Shudde Bros. Hatters, near Brookshire, which has been making hats since 1907.
To be a good hatter, you have to listen to the customer. Be patient and let him or her tell you what they need to tell you. Sometimes they’ll give you a lot of information that’s irrelevant, like, “I was in my house sweeping and my hat fell off my head and into the ketchup and the cat ran out the door and . . .” Just listen and keep asking questions.
“I have too many clothes,” says seventeen-year-old Jane Aldridge as she examines a black Comme des Garçons dress that looks like a spacesuit for a bombshell from an old sci-fi movie (think broad shoulders and narrow waist covered in lustrous, slightly puffy hexagons). That’s quite an admission for a teenager. Especially one that has a closet full of vintage designer clothes, describes one outfit as “too boring to wear even to driver’s ed,” and claims Karl Lagerfeld as her father. But Jane isn’t your average adolescent.
Well-dressed women—and a sprinkling of men—surveyed the latest inventory of needlepoint pillows: whimsical landscapes, animals, nudes, and more. It seemed that almost every inch of shelving and couch space was littered with pillows, beautiful pillows. As the guests mingled, nibbled on hors d’oeuvres, and sipped on wine, Kate Hersch—arts patron, mother of two, community volunteer, and tastemaker extraordinaire—worked the room. Literally.