¡Viva Tequila!
How it’s made, the secret of cooking with it, the truth about the worm, and everything else you ever wanted to know about Mexico’s favorite drink—and ours.
August 1995 Issue
Features
Hush, Little Baby, Don’t You Cry
Eleven years after the death of her youngest daughter, Tanya Reid sits in an Amarillo prison. Is she a murderess, or has she been railroaded by overzealous prosecutors?
Our Fair Lady
Texan Jerry Hall is a successful model, the mother of three healthy kids, the wife of a rich, sexy, world-famous rock star. She’s also quite refined. Or is she? Eliza Doolittle, meet your match.
Santa Fête
When rich Texas hostesses want to put on the biggest charity bash of the summer, where do they go? New Mexico, of course.
The Outer Limits
Combining the latest technology with an old-fashioned passion for her work, Austin astronomer Anita Cochran redefined the solar system. Now her star is on the rise.
Columns
State Fare: Grilled Swordfish Club Sandwich
From Austin’s new Coyote Cafe (612 W. Sixth) comes the classiest club sandwich you’ll ever eat, and quite possibly the best. Offered as an occasional special at the Texas spin-off of Santa Fe’s original Coyote Cafe, the sandwich makes some key substitutions: Chile-seasoned grilled swordfish stands in for boring old
Film
A Killer Sequel
Sorry, Bob Dole. Austin director Robert Rodriguez’s follow-up to El Mariachi may be violent, but it’s also art.
Ripe Apple
Twenty years after he began critiquing modern society, Houston writer Max Apple is enjoying the fruits of his labor.
A Perfect Mess
Can a suburban Dallas house-wife who suffers from obsessive-compulsive disorder ever overcome her fears? She doubts it.
LaFave Rave
Jimmy LaFave’s great new CD might propel him from Austin to the big time—if that were what he wanted.
Reporter
Bad Medicine
By vetoing the Patient Protection Act, Gearge W. Bush put cost before care.
Bottleneck
Henderson County residents and Ozarka are locked in a nasty fight over some of the best water in Texas.
Miscellany
The Texas Kid, 1988
The late folk artist Willard Watson was a funky fixture of Dallas’ art scene. Better known as the Texas Kid, he was famous or his courly manners, cockammy yard art in his Love Field-area home, and eye-popping, Longhourn-crowned luxury cars. Watson often collaborated with other artists; in 1976, for example,
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