Tonight, Hannah Overton—whose case has been chronicled extensively in Texas Monthly—walked free after serving seven years of the life sentence that she was handed by a Corpus Christi jury in 2007.
For the record, my favorite Bum Steers cover is from way back in 1976. It features Governor Dolph Briscoe smiling and waving from a herd of cattle with the line “Find the Bum Steer in This Picture.” I realize it’s not the most original joke or the smartest image—it’s entirely possible that I’m the only one who finds it funny—but its tone has always struck me as just right when it comes to capturing the spirit of the Bum Steers issue.
In November the citizens of the North Texas city of Denton went to the polls for the midterm elections. They filled in their ballots for the various political races—governor, senator, and so on—and then came upon a very curious proposition. They were asked to vote on an ordinance banning all fracking, a technique used in oil and gas drilling, within Denton’s city limits.
Shortly after the midterm elections, Willie Nelson confessed with characteristic humor that he was disappointed by the results.
“I’ve got a new song called ‘Y’all Got the Ball,’ ” he said, referring to the Republican takeover of the United States Senate.
There are 65 acting credits listed for Marco Perella on the Internet Movie Database, some of them in high-profile productions like JFK, Lone Star, and Friday Night Lights.
In live music, there aren’t a lot of moves with a higher degree of difficulty than leaving your big hit single off the set list. And Ryan Bingham just stuck the landing. In November, at Holy Mountain—a small Austin club where he was kicking off a winter run of solo acoustic shows—Bingham’s best-known song, “The Weary Kind,” went unplayed.
The longish horizontal window was set at eye level, so nondescript that it looked like an empty aquarium. I didn’t even notice it until we’d finished our dinner. But after we paid, we walked over to peer through the glass. Mere feet away, Le Cep’s small, pristine kitchen was a tableau of workers in white.