RAY WYLIE HUBBARD ups the volume on Growl (Rounder), and the offhand, edgy blues boots the material into high gear. The country outlaw never met an idea he didn’t like (there are a couple of throwaways here), but Growl maintains an affable charm that’s impossible to deny. Best of all, thirty years on, he just might have found a sequel to his classic “Redneck Mother”: an ambiguous smirk called “Screw You, We’re From Texas.”

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