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Once upon a time, you went to a museum to see what was inside. Now you go to see the museum itself—and nowhere is this trend more in evidence than in Texas.
Modernism may yet be proved dead, but if so, it has left an exquisite corpse in Fort Worth's stunning new Modern Art Museum.
From Fort Worth's Amon Carter Museum to
Houston's Pennzoil Place to Dallas' forthcoming
Cathedral of Hope, architect Philip Johnson's grand
vision for Texas is set in stone.
Now that both its building and its mission have been renovated, Houston’s Contemporary Arts Museum is ready to win back the public and reestablish its eminence.
With a massive addition to its gallery space and a host of new exhibitions in the works, Fort Worth's Amon Carter Museum is back in the saddle.
As in Nasher, and everybody should. His $70 million sculpture center is the most eagerly anticipated arts opening in Dallas' history.
Denton's Toni LaSelle has a perspective on the modernist movement like no other artist. That's because she witnessed it first-hand.
The man ushering the Kimbell Art Museum into a grand new era: Eric M. Lee.
Just over forty years ago, Texas was the kind of place dismissed as hopelessly provincial and culturally mediocre. But then came the Kimbell Art Museum.
