texasmonthly.com: This year marks the thirtieth anniversary of your hit, Delta Dawn. You have had more than forty top ten since then, and you say you’ve never thought of yourself as a star. Are you really that modest?
Tanya Tucker: I just don’t think about it too much. It’s just not prominent in my mind. I am appreciative of it though. My days are so busy. If I had a lot of time, I guess I might think about it a little more.
texasmonthly.com: Is that the price you pay for popularity, not having time to yourself, right?
TT: That’s part of it. Right now is a busy time because of the record. It’s make or break time. Right now it’s up in the 30’s, so it could go either way.
texasmonthly.com: So you really have to work it?
TT: Yeah, you give it that extra kick that it needs. You have to work extra hard for that.
texasmonthly.com: Is that more difficult to do as you get older?
TT: I don’t know if it is any harder. It’s always hard. The only thing that makes it more difficult is just the time thing. Now I have kids, a family, and a fiancée. It’s just extra added pieces of my attention that are going out. By the time I get done with that, and visit with my fans, if I have anything that I like to do at all, like my horses, that ends up suffering. Hell, I haven’t been down to the barn in…?
texasmonthly.com: Is it all worth it?
TT: Yes because eventually I want to be able to spend time doing those things, but you have to work and make the hay while the sun shines. You get used to doing that. It’s like a pay-and-play. There was a time there for a little bit when I had a lot of time on my hands. Right after I had Layla. My dad wanted to keep me off the road too. He wanted me to be totally dedicated to this album. I haven’t been able to do that before. Sometimes, I didn’t even know the
songs when I went in. He wanted to be able to give me that luxury of being able to stay off the road long enough to cut an album. And it kind of worked out okay, because I was in litigation because of the record label. Then it went right into being off the road to cutting the album.
texasmonthly.com: Tell me more about the CD. It shows a more sensitive side of you. Is it easier to get in touch with that side as we get older?
TT: It’s definitely a more personal side, because it was dreamed up, thought up, recorded, and done with my input. From the time it was just a thought in our minds. It’s almost like our second child, because it is the same process.
texasmonthly.com: How is that different than projects you have done before, and is it easier to get in touch with your more sensitive side as you get older?
TT: After doing records and recording in different kinds of ways, I’m sure I’ve done all the ways there is to record—there are quite a few. I have developed a sense of the way I want to do it. We basically did everything I wanted to do.
texasmonthly.com: What was in the way of your being able to do that before?
TT: I just didn’t get any time. Whatever I did, I tried to put my heart into it, but sometimes I was rushed. A lot of times, I didn’t get to learn songs—really live with the songs. It would be great if people let you take home clothes and try them on and wear them for a little bit. That way you know if you really like them, and if they are really going to hold up, but they don’t let you do that.
texasmonthly.com: When you were younger was it more difficult to be vulnerable? And if so, did that get easier?
TT: I think probably so. There is good and bad at both ends. But I grew up in this business and was sort of taught that every day is a different day. There was no set sort of clockwork or anything repetitious—it was always different. I think I have locked into some things now that I’d like to keep the same—which are being able to live with the songs and being able to design them my way. That’s what we did with this CD. I mean, there were very few things that I didn’t get to do, and they were small things that the John Q public, the average listener, will never really pick up on—just small little things. I wanted different instruments. I wanted the Commodores to sing backup on the new single, but I wasn’t able to get them. But those kinds of things didn’t hurt the record. I would have loved to have had them, but who knows if I might have gotten them, and how the record might have sounded with them.
texasmonthly.com: You were part of a unique generation of women in country music—somewhere in between Dolly Parton and Shania Twain.
TT: In the middle—exactly. Someone once told me ‘You are part of the old and part of the new. Maybe you are just a bridge between the two.’ I kind of like that. I wouldn’t want to be anywhere else. On the one hand, I have the years of experience, and I still have to think about, ‘What would a newcomer do right now?’
texasmonthly.com: Has the attitude of the music changed? Is the level of passion different?
TT: I think we have lost a lot of passion for some reason, and I don’t know why. There are still a few of us around that still have it. I think that’s probably the reason I have lasted so long.
texasmonthly.com: In a recent review of your new CD, People magazine said you sing with