Contributors

Skip Hollandsworth

Skip Hollandsworth's Profile Photo

Skip Hollandsworth is a staff writer at Texas Monthly, specializing in long-form narratives. He grew up in Wichita Falls, Texas, attended TCU in Fort Worth, and after graduation worked as a reporter and columnist for newspapers in Dallas. He also worked as a television producer and documentary filmmaker.

In 1989, Hollandsworth joined Texas Monthly, where he has received several journalism awards, including a National Headliner Award, the national John Hancock Award for Excellence in Business and Financial Journalism, the City and Regional Magazine Association gold award for feature writing, and the Texas Institute of Letters O. Henry Award for magazine writing. He has been a finalist four times for a National Magazine Award, the magazine industry’s equivalent of the Pulitzer Prize, and in 2010 he won the National Magazine Award in feature writing for “Still Life,” his story about a young man who, after suffering a crippling football injury in high school, spent the next 33 years in his bedroom, unable to move. The comic crime movie Bernie, which Hollandsworth cowrote with director Richard Linklater, was released in May 2012. It's based on his 1998 story "Midnight in the Garden of East Texas." His book, The Midnight Assassin, a true crime historical thriller, was published in April 2016 and became a New York Times best-seller.

273 Articles

Health |
May 31, 1990

Can Kids On Drugs Be Saved?

Drug treatment seldom works: at many centers, greedy entrepreneurs prey on frightened parents and troubled kids. But one teenager’s parents decided to take one last, desperate step: they sent their son to the toughest program in Texas.

Being Texan |
November 1, 1985

Preacher’s Kids

My father had to have an answer for everything—adultery, spiritual crises, the pigeons defecating in the church gutter. No wonder I didn’t become a preacher. The miracle is that my sister did.

Music |
July 1, 1985

Music to My Ears

The small-town orchestra has it all: performers who love the music passionately, audiences who lend their wholehearted support, and even occasional moments when all the instruments are playing the right note.