They Must Pay the Rent!
Melodrama Theatres in Austin and San Antonio keep the popcorn flying. Coward and Shaw play Dallas and Houston.
Melodrama Theatres in Austin and San Antonio keep the popcorn flying. Coward and Shaw play Dallas and Houston.
By W. L. Taitte and Nancy Kaufman
And, if they’re the Texas Boys Choir, pretty good ones at that. San Antonio opera gets an overhaul.
By W. L. Taitte
Dallas Theater Center’s third Playmarket offers a crop of fresh plays. Plus, short musings on other Texas treasures.
By W. L. Taitte
Houston Grand Opera took the sugar out of La Traviata. Fort Worth Symphony’s John Giordano does modern music Rite.
By W. L. Taitte
The Alley turns Artichoke into candy. Whorehouse comes to Texas, where it belongs. The audience talks back to Women and Men.
By W. L. Taitte
Good-bye, tacos. Hello, sukiyaki. A few restaurants are showing Texans the art of Japanese cooking.
By W. L. Taitte
J. S. Bach thrives in San Antonio and Fort Worth. Austin’s Dickran Atamian proves he’s a better pianist than entrepreneur.
By W. L. Taitte
Dallas Theater Center welcomes Nazis to its stage. Houston’s Theatre Under the Stars turns Dickens into a funky musical.
By W. L. Taitte
Austin and Corpus Christi like their symphony orchestras just fine, thank you. Texas Opera Theater tries to break the language barrier.
By W. L. Taitte
Theatre Three in Dallas went out on a limb with their production of Happy End. Oops.
By W. L. Taitte
‘Twas the season to see Dallas Civic Opera.
By W. L. Taitte
Why can’t grown-up theater be as good as children’s?
By W. L. Taitte
French chefs are revolting against classical cuisine, and some of their new creations are definitely revolting.
By W. L. Taitte
San Antonio Symphony audiences are ready for another rendezvous with François Huybrechts.
By W. L. Taitte
Alley Theater’s season opener, Scream, was about Jews and Nazis. It was also about how not to run a regional theater.
By W. L. Taitte
Now you like it, now you don’t, now you like it again—Houston Grand Opera’s Norma.
By W. L. Taitte
Hip Pocket Theater keeps taking on challenges it can’t meet.
By W. L. Taitte
Of course there is. It’s real Mexican food, not Tex-Mex.
By W. L. Taitte
Music from the Dallas Symphony not to read Shakespeare by.
By W. L. Taitte
A little touch of Shakespeare in the heat.
By W. L. Taitte
A look at Dallas Civic Opera’s Plato Karayanis, a man with a noble cause who’s selling tickets to a dream.
By W. L. Taitte
Theatrical families find a foster home at the Dallas Theater Center.
By W. L. Taitte
If you live in Texas, here’s one fish story you can believe.
By W. L. Taitte
Once a year in Fayette County sauerkraut and sausage give way to classical music.
By W. L. Taitte
Maybe There’s no cure for insanity, but two new plays offer some provocative treatments.
By W. L. Taitte
Conducting the Houston Symphony, Lawrence Foster inspired respect. He didn’t know he needed love too.
By W. L. Taitte
If you think lamb korma is a wooly creature with good vibes, you’ve got a lot to learn about Indian food.
By W. L. Taitte
Now that you’ve mastered the art of using chopsticks, here’s something fantastic to put between them.
By W. L. Taitte
All we are saying is give opera a chance.
By W. L. Taitte
Why are Houstonians starting to talk about the Alley Theater again?
By W. L. Taitte
New, authentic recordings of Messiah prove that less is more.
By W. L. Taitte
Glenn Gould and Peter Serkin have always beenn far-out, but new recordings suggest a certain mellowing.
By W. L. Taitte
New recordings of Treemonisha and Porgy and Bess will do, but on the whole we prefer Puccini.
By W. L. Taitte
Surprise yourself; discover the very old and the very new in classical music.
By W. L. Taitte
Lawrence Foster prepares for an encounter with Gustav Mahler.
By W. L. Taitte
Local boy makes good.
By W. L. Taitte
How to get cultured and stay in shape at the same time.
By W. L. Taitte
Building a classical, rock, country, and jazz library on a budget.
By Doug Ramsey, W. L. Taitte and Chet Flippo
If James Dick has his way, the notes struck at Round Top will echo around the world.
By W. L. Taitte
A famous conductor tries again with a recording of Beethoven’s Missa Solemnis, and this time we think he’s got it right.
By W. L. Taitte
Fort Worth’s art museums are a bigger attraction than the stockyards and, what’s more, most art doesn’t smell.
By W. L. Taitte
In Texas, the fandom of the opera is surprisingly large.
By W. L. Taitte
Dinner theaters offer the roar of the greasepaint and the smell of the kraut.
By W. L. Taitte