Clark and his band bring the heat on the PBS series.
The Austin-based one-man band channels George Jones to create a honky-tonk ballad that’s the perfect soundtrack for drowning your woes in the company of your demons.
But the real mystery is, why are we still so obsessed with this particular Mississippi Delta blues legend?
The Grammy Award-winner reflects on the blues musician that still inspires him today.
For nearly sixty years, a succession of obsessed blues and gospel fans have trekked across Texas, trying to unearth the story of one of the greatest, and most mysterious, musicians of the twentieth century. But the more they find, the less they seem to know.
Want to see the Texas of Leadbelly, Blind Lemon Jefferson, Mance Lipscomb, and other pioneering musicians of the twentieth century? Your trip through time begins near Washington-on-the-Brazos.
It’s a neat trick, creating something both slavishly retro and distinctly modern. Dan Auerbach manages just that with his blues-based rock duo, the Black Keys. While he stays true to the essence of the music, he’s not hesitant to scoff at tradition. In the producer’s chair for the third album
Who was Stevie Ray Vaughan's musical role model?
A seven-year-old guitarist who makes his stage debut alongside blues legend Albert King is a novelty, even after he has jammed with Buddy Guy, Clarence “Gatemouth” Brown, and Albert Collins. But what happens when the kid grows up? He becomes a seasoned veteran—more of a contender than less experienced peers
Hot CDs and Hot Books
Hot CDs West Texas bluesman Long John Hunter plays even more guitar than usual on Swinging From the Rafters (Alligator), and that’s a lot of guitar. Hunter represents the party-down end of the blues spectrum; he’s gotta poke fun at himself even when he’s ostensibly down-and-out, as on “I’m Broke.”
Hot CDs The real pleasure in Toni Price’s Sol Power (Antone’s/Discovery/Sire) is trying to peg her as country, blues, or folk. Whether she’s singing something silly and simple, such as “Cats and Dogs,” or taking the sultry and sublime route, as when she covers Allen Toussaint’s “Funky,” the Austinite offers
Hot CDs Miss Lavelle White’s It Haven’t Been Easy (Antone’s/Discovery) is essentially a primer on modern blues. Houston-bred and currently Austin-based, White is equally comfortable with a soul ballad like the title song, an up-tempo scorcher like “Can’t Take It (I Don’t Give a Damn),” the self-explanatory “Wootie Boogie,” or