Blues

Music |
January 20, 2013

The Soul of a Man

For nearly sixty years, a succession of obsessed blues and gospel fans have trekked across Texas, trying to unearth the story of one of the greatest, and most mysterious, musicians of the twentieth century. But the more they find, the less they seem to know.

By Michael Hall

Music |
January 20, 2013

Let There Be Lightnin’

Twenty-five years after his death, Sam Hopkins is still one of the most influential bluesmen in history—that much we know. But we don’t know nearly enough about who he was.

By Michael Hall

Music |
January 20, 2013

Birthplaces of the Blues

Want to see the Texas of Leadbelly, Blind Lemon Jefferson, Mance Lipscomb, and other pioneering musicians of the twentieth century? Your trip through time begins near Washington-on-the-Brazos.

By Michael Hall

Music |
October 31, 2011

Rocky Ascent

Dusty Hill's older brother, Rocky Hill, has been called the "best guitarist you've never heard of," but the recent release of Texas Guitar Legend aims to change that.

By Texas Monthly

Music |
June 30, 2010

Letters in the Deep

It’s a neat trick, creating something both slavishly retro and distinctly modern. Dan Auerbach manages just that with his blues-based rock duo, the Black Keys. While he stays true to the essence of the music, he’s not hesitant to scoff at tradition. In the producer’s chair for the third album

By Jeff McCord

Music |
June 30, 1999

Blues Brothers

Long John Hunter and his guitar-slinging friends sharpened their axes in and around Port Arthur, so their recent return was truly a homecoming.

By John Morthland

Music |
June 30, 1999

Jake Andrews

A seven-year-old guitarist who makes his stage debut alongside blues legend Albert King is a novelty, even after he has jammed with Buddy Guy, Clarence “Gatemouth” Brown, and Albert Collins. But what happens when the kid grows up? He becomes a seasoned veteran—more of a contender than less experienced peers

By Katy Vine

Music |
November 1, 1998

Folk Hero

He’s one of the most influential men in American music. So why haven’t you heard of Alan Lomax?

By John Morthland

Music |
August 31, 1997

Jimmie Rodgers

What respiratory ailment afflicted Jimmie Rodgers, prompting fans to shout “Spit ’er up and sing some more”?

By Anne Dingus

Books |
July 31, 1997

CD and Book Reviews

Hot CDsWest Texas bluesman Long John Hunter plays even more guitar than usual on Swinging From the Rafters (Alligator), and that’s a lot of guitar. Hunter represents the party-down end of the blues spectrum; he’s gotta poke fun at himself even when he’s ostensibly down-and-out, as on “I’m Broke.” With

By Texas Monthly

Music |
June 30, 1997

CD and Book Reviews

Hot CDsThe real pleasure in Toni Price’s Sol Power (Antone’s/Discovery/Sire) is trying to peg her as country, blues, or folk. Whether she’s singing something silly and simple, such as “Cats and Dogs,” or taking the sultry and sublime route, as when she covers Allen Toussaint’s “Funky,” the Austinite offers an

By Texas Monthly

Books |
February 1, 1997

CD and Book Reviews

Hot CDsMiss Lavelle White’s It Haven’t Been Easy (Antone’s/Discovery) is essentially a primer on modern blues. Houston-bred and currently Austin-based, White is equally comfortable with a soul ballad like the title song, an up-tempo scorcher like “Can’t Take It (I Don’t Give a Damn),” the self-explanatory “Wootie Boogie,” or a

By Texas Monthly

Music |
April 1, 1989

Beyond the Blues

The unlikely twosome of eccentric rocker Doug Sahm and blues champion Clifford Antone has rescued from obscurity a distinctively rhythmic, indisputably raunchy regional sound.

By Jody Denberg

Politics & Policy |
May 31, 1973

Briar Patch

THE SIN OF AUSTININ AUSTIN RECENTLY, DURING A public hearing on skinnydipping in Lake Travis, local resident Louis Steinbach testified to attentive city councilmen: “God has the power to destroy this city for its sin…and officials had better realize it.” We do not want to appear soft on sin, but

By Gregory Curtis, Wendy Meyer and Allan Turner