Books

Books |
August 24, 2018

The Man Who Walked Backward

When the Great Depression put Plennie Wingo’s bustling Abilene cafe out of business, he tried to find fame, fortune, and a sense of meaning the only way he knew how: by embarking on an audacious trip around the world on foot. In reverse.

Feature |
April 30, 2011

The Peculiar Monument

In this exclusive excerpt from Remember Ben Clayton, a new novel by Stephen Harrigan, a sculptor meets a lonely rancher who has lost his son and needs something to remember him by.

Web Exclusive |
March 31, 2011

An Excerpt From Devil Red

Chapter 1We were parked at the curb in Leonard’s car, sitting near a busted-out streetlight. We were looking at a house about a block up. It was a dark house on a dark street next to another dark house, and beyond that was an abandoned baseball field grown up with

Books |
February 1, 2008

Bruce Sterling

The Brownsville native and longtime Austinite has spent most of his adult life contemplating the future: A progenitor of the scruffy cyberpunk fiction movement (he edited the short-story anthology Mirrorshades and co-authored The Difference Engine with William Gibson), he has penned ten sci-fi novels and several works of nonfiction, including

Feature |
April 1, 2006

Liftoff!

In this exclusive excerpt from Stephen Harrigan’s new novel, Challenger Park, a female astronaut confronts mommy-track issues on the way to outer space.

Books |
September 30, 1997

CD and Book Reviews

Hot CDsFew voices evoke the pathos of country and western tragedy as genuinely as the rich, honeyed timbre of George Jones. By 1962, the year Jones signed with the United Artists label, the East Texan had been divorced, jailed, and was already as legendary for his hard drinking as his

Books |
August 31, 1997

CD and Book Reviews

Hot CDsRunning on equal parts inspiration and gumption, Austin’s Damnations are the alternative to alternative country, going way back for tunes like “Copper Kettle,” forward for a romp through Lucinda Williams’ “Happy Woman Blues,” and their own way with impressively traditional-progressive originals. The mostly acoustic Live Set (Damnations), pressed in