Plus: the Golden Globes show Texas some love, ‘Walker’ is a runaway hit, and another DJ Screw movie is on the decks.
Friends remember Floyd, who grew up in the Third Ward, as a gentle soul, a father, and a talented collaborator of DJ Screw’s.
Hip-hop mainstay Lil Keke tells the story of how he earned his musical chops driving around Houston.
The Contemporary Arts Museum Houston’s show immortalizes the late musician in his hometown.
Plus, ‘Cheer’-mania takes over the world, the Von Erichs and DJ Screw get the biopic treatment, and Mark Wahlberg beats the crap out of Post Malone.
’For Art’s Sake’ delves into the photojournalist’s work documenting local music scenes, poverty, public policy.
‘Look Mom I Can Fly’ traces the rapper’s ascent and his efforts to elevate Third Coast hip-hop.
After two decades of sluggish albums, ZZ Top has returned to raunchy, bluesy form. And the little ol' band from Texas owes it all to a hip-hop anthem from the streets of Houston.
He was one of the most influential cultural figures in Texas—a generous godfather to a generation of rappers, an entrepreneur of Houston's mean streets, the master of a scene fueled by codeine cough syrup and hip-hop beats. When he overdosed in November at the age of 29, it was easy to dismiss him as yet another musician who succumbed to his own success. But his story is more complicated than that.
The hip-hop inspired “purple drank” may have claimed its latest victim—former A&M defensive tackle Johnny Jolly of the Green Bay Packers—who faces prison time for possession of at least 200 grams of codeine, a key ingredient.