One of the Country’s First Racially Integrated Fine Art Shows Gets an Overdue Update
A new exhibit in Houston's Fifth Ward is an homage to—and a critique of—one of the country's first racially integrated art shows.
A new exhibit in Houston's Fifth Ward is an homage to—and a critique of—one of the country's first racially integrated art shows.
In their sixties Houston-based prime, the music of Bobby “Blue” Bland and his musical director Joe Scott was every bit as good as that of Frank Sinatra and Nelson Riddle.
A controversial rally by the Open Carry Texas group in an historically African-American neighborhood was rejected by community leaders, leading to an indefinite postponement.
How an African American from Houston’s Fifth Ward rose to become the president of a mostly white, exceedingly
Now playing: Houston’s Fifth Ward.
In heavyweight boxing—and in the glare of media lights—it helps to be larger than life. Ask George Foreman, 1994’s comeback kid.
“There are two things to remember about the ghetto that is Houston’s Fifth Ward. One, evil usually triumphs over good. Two, in spite of that, most of its residents retain a goodness that proves indestructible.”