Border Pundits Need to Watch ‘The In Between’
The Eagle Pass–set documentary is a thoughtful meditation on nostalgia, grief, and what life really looks like on the border.
The Eagle Pass–set documentary is a thoughtful meditation on nostalgia, grief, and what life really looks like on the border.
For ‘Willie and Me,’ Eva Hassmann enlisted an Elvis impersonator, Peter Bogdanovich, and Willie himself to tell a story of how Willie’s music crosses cultures.
The Houston director’s big-budget debut flopped—but it wasn’t set up to succeed.
‘Mad Men.’ ‘Homeland.’ ‘Love & Death.’ The current golden age of television wouldn’t be the same without the work of Dallas native Lesli Linka Glatter.
B. J. Novak talks about his directorial debut, ‘Vengeance,’ a dark comedy set in West Texas—and about Whataburger’s “Dunkin’ Donuts moment.”
The storied actor and Fort Worth native always wanted to direct. His gripping debut, released twenty years ago, showed us why.
The longtime Texan returns to TV with Hulu’s ‘Veronica Mars’ revival.
A decade ago, she broke box office records with ‘Twilight.’ Now the McAllen-raised director is breaking gender barriers in Hollywood.
Action Heroes 2008.
A filmmaker’s long view of Longview
We moved to Waxahachie in the early forties, when I was about ten years old. I was a seriously dyslexic child, and no one quite knew what dyslexia was in those days. People just thought I wasn’t too swift. And my way out of it was drawing. It was something
I went to the University of Texas at Austin to play baseball. In high school I wanted to be a pro baseball player, and I never really thought about movies outside of taking dates to them and stuff like that. And when I tried to walk on to the UT
Cesar Alejandro’s low-budget action movies aren’t exactly number one with a bullet, but the El Paso director is sure he’ll be hot in Hollywood—some day.
A veteran filmmaker’s new documentary looks at the rich history of tejano.
Sorry, Bob Dole. Austin director Robert Rodriguez’s follow-up to El Mariachi may be violent, but it’s also art.
The trash-TV titan.
Larry Buchanan made movies that were so cheap, so incredibly flawed, and so dumb, they’re lovingly celebrated as the worst movies ever made. And he made them all in Dallas.