How ‘Civil War’ Managed to Thread an Impossible Needle
Alex Garland’s film, which premiered in Austin during SXSW, accomplishes something few movies have.
Alex Garland’s film, which premiered in Austin during SXSW, accomplishes something few movies have.
Amazon’s remake, which premiered at SXSW, swaps Patrick Swayze’s soulfulness for a more coherent script—but is that a good thing?
The film portrayal of the Dallas wrestling titans delivers an emotional suplex, but it could have used more moves.
The concert film is a performance masterpiece, but it also raises questions about the artist’s messaging.
David Gordon Green’s decades-late and beyond-unnecessary sequel, ‘The Exorcist: Believer,’ commits various forms of cinematic sacrilege.
The 1950s-set comedy is being hailed as the director’s best work in years, and I can’t figure out why.
Hypnotic, the supernatural thriller starring Ben Affleck that opened on Friday, is Robert Rodriguez’s twenty-first movie. The lifelong Texan is more prolific than almost any of his ’90s indie-film contemporaries—Quentin Tarantino, whose Reservoir Dogs debuted about a year before Rodriguez’s El Mariachi, has only made ten!—and that’s including a
The movie uses a classic heist format to tackle the hot topic of climate change.
The Corpus Christi native’s directorial debut is a self-assured, joyful ode to inclusivity and snack foods.
The Texas-raised actor returned to Sundance for the premiere of his latest film—a brutal, impressive character study of a troubled bodybuilder.
Margaret Brown’s remarkable ‘Descendant’ deserved to take its case for reparations to an audience of millions.
From ‘Stranger Things’ to the Sex Pistols, from the Houston suburbs to the outskirts of Texas City, these were the actors who got our attention.
There’s potential for the two to be an iconic duo, a new generation’s Robert Redford and Paul Newman.
Multiple times throughout the documentary, Gomez repeats that she no longer craves stardom. But what the singer wants instead remains unclear.
The titular character of director Ti West’s latest horror movie, ‘Pearl,’ is a young Texan who’s had it with the people and society that keep her repressed.
David Gordon Green’s rebooted horror trilogy concludes with another search for meaning, yet again, in senseless murder.
The Austin-based film festival returned for another round of horror and fantasy, now tinged with some distinctly real-world anxieties.
Tom Cruise returns, with Austin’s Glen Powell in tow, for a crowd-pleasing sequel that just may pull embattled theaters out of the danger zone.
The storied actor and Fort Worth native always wanted to direct. His gripping debut, released twenty years ago, showed us why.
This is a film in which Academy Award nominee Jesse Plemons flirts with billionaire Rihanna, and for that it should be cherished.
The Lone Star State was well represented at this year’s SXSW, and these films feature settings, accents, and subject matter to remind you of home.
El Paso filmmaker Iliana Sosa’s feature documentary debut follows her Mexican grandfather, reflecting on life, legacy, and connection.
‘Mama Bears’ ties together the stories of three conservative families with LGBTQ children, but as the only trans child in the film, Kai Shappley stands out.
No country music fan will be disappointed by ‘The Return of Tanya Tucker,’ which puts the focus on artistry and that one-in-a-million voice.
Writer-director Ti West’s return to horror is set in a creepy house in rural Texas. But that’s where the similarities with classic slashers ends.
The light-on-plot, heavy-on-nostalgia animated feature is Linklater at his Linklaterest.
The joyful Sandra Bullock flick, chockablock with Hollywood’s finest, will lend itself to repeat viewings for many years to come.
The sequel to Tobe Hooper’s slasher sucks all the fun out of psychotic cannibal killers—but it does have a message for Californians headed to Texas.
In ‘Jockey,’ Dallas director Clint Bentley draws dark lessons from a life lived on the track.
Richard Linklater’s ‘SubUrbia’ is ‘The Last Picture Show’ of the nineties.
Jennifer Lopez and Owen Wilson, perhaps surprisingly, have enough chemistry to carry the film's outrageous premise.
More visual poem than documentary, the film tracks a music manager and singer who follow their dreams while providing for their undocumented parents.
Comedies must choose whether to punch up or punch down; watching ‘Search Party’ has always made me feel like I’m punching myself.
Texas actor Tye Sheridan stars alongside Ben Affleck in the sentimental yet skippable story of an aspiring writer, directed by George Clooney.
The unnerving feature debut from Red Oak native Lauren Hadaway plumbs the gloomy depths beneath a college rower’s quest for greatness.
Fort Worth writer-director Derek Presley overcame unprecedented odds to make his otherwise unremarkable thriller about a tormented hit man.
The latest from the director of ‘The Florida Project’ sees a scheming former porn star wash up along Texas’s Gulf Coast.
The rising Grapevine star brings fresh spirit to a movie that’s fatally preoccupied with reviving the dead.
Dallas-raised actor Jonathan Majors leads a star-studded cast as outlaw Nat Love seeking revenge.
It’s a chance to buy your holiday presents early, the way you always swear you will.
The Houston filmmaker’s latest is a valentine to defiantly idiosyncratic storytellers like Wes Anderson.
The sequel to David Gordon Green’s franchise reboot is all filler, same old killer.
Austin-raised writer-director Justin Corsbie’s debut about a down-on-his-luck troubadour feels as warmly familiar as the Americana songs that inspired it.
The Dallas-based director's short is inscrutable, arty, and part of the excellent anthology ‘The Year of the Everlasting Storm.’
Dallas’s mercurial pop phenom writes and stars in this loosely autobiographical satire that raises questions it doesn’t deign to answer.
Dallas-based director David Lowery’s ‘The Green Knight’ goes medieval on a hoary romance of King Arthur and Camelot.
Megan Fox and Bruce Willis star in the thriller, which is very loosely based on an infamous Texas serial killer.
The horror franchise attempts to skewer Trumpism, but the result makes for uncomfortable viewing.
Texas filmmaker Will Bakke’s latest movie offers only a glimpse of the joys and pains of young adulthood.
Each blue VHS box was a transmission from another planet that promised there were others like me somewhere.