Leave ‘The Exorcist’ Alone
David Gordon Green’s decades-late and beyond-unnecessary sequel, ‘The Exorcist: Believer,’ commits various forms of cinematic sacrilege.
David Gordon Green’s decades-late and beyond-unnecessary sequel, ‘The Exorcist: Believer,’ commits various forms of cinematic sacrilege.
John Bloom, a.k.a. Joe Bob Briggs, discusses his 2004 opus on the making of the slasher classic and the New York bias against a Texas original.
The titular character of director Ti West’s latest horror movie, ‘Pearl,’ is a young Texan who’s had it with the people and society that keep her repressed.
It’s a chance to buy your holiday presents early, the way you always swear you will.
The sequel to David Gordon Green’s franchise reboot is all filler, same old killer.
The horror franchise attempts to skewer Trumpism, but the result makes for uncomfortable viewing.
The Texas filmmaker has built his career on escalating tension and dread.
The filmmaker discusses the winding path, from Texas to Singapore to Japan and back, that led to Amazon commissioning his first feature.
A selection of Texas-bred horror films, books, and TV episodes to indulge in during the spooky times.
One of the oldest ideas in the filmmaker’s notebook is based on his real life. And mine.
Few actors start their careers as Lupita Nyong’o did. Her very first feature film role, in Steve McQueen’s Twelve Years a Slave, earned her an Academy Award. From there, as one of the most sought-after young stars in Hollywood, she managed her decisions very carefully. She focused on voice acting—a recurring role
Why a great horror movie starring Matthew McConaughey and Renée Zellweger could get buried.
Lots of spooky movies this month as a new reviewer takes the wheel.