As one of the genre’s most prolific players, the West Texas-based musician brings an experimental approach to his work.
Starring Jamie Foxx and Phylicia Rashad, and cowritten by Mike Jones, ‘Soul’ meditates on what it means to live a fulfilled life.
The Dallas native’s jazz statement ‘Love and Liberation’ is a call to action.
The Plainview-raised jazz musician leaves behind a legacy beyond his contributions to musical education.
Ornette Coleman's radical theory of harmolodics helped redefine jazz. His relationship with the music business has always been troubled, however, and today the Fort Worth native suffers from benign neglect. But his tenor sax still packs an emotional wallop.
Too many jazz pianists have surrendered to the unyielding bulk of the instrument, relying on standards with flourished chording, tranquilly delivered. They fashion themselves heirs to greats like Bill Evans but sometimes end up closer to Liberace. It takes real gumption to push that hunk of wood and wire around.
The best music has always been made by those who defy easy categorization, as exemplified by not one but two posthumous releases from Texas jazz giants. Fort Worth’s Dewey Redman was a glass-half-empty kind of guy who saw his career accomplishments as merely wins in a long battle—so the
Like the blues, jazz is steeped in such tradition that players can spend decades finding their own voice. Many never do. Which makes what JASON MORAN has accomplished in just over five years of recording even more remarkable. Same Mother (Blue Note) is simply the latest in a series of—there’s
Hot CDs and Hot Books
I’ve danced all my life, and I really thought that I would eventually open a ballet school. It’s a wonderful discipline and a wonderful release. I started dancing when I was three because I loved the pink tutu and the ballet shoes. I got myself involved—it wasn’t anything that my
Hot CDs West Texas bluesman Long John Hunter plays even more guitar than usual on Swinging From the Rafters (Alligator), and that’s a lot of guitar. Hunter represents the party-down end of the blues spectrum; he’s gotta poke fun at himself even when he’s ostensibly down-and-out, as on “I’m Broke.”
Hot CDs The real pleasure in Toni Price’s Sol Power (Antone’s/Discovery/Sire) is trying to peg her as country, blues, or folk. Whether she’s singing something silly and simple, such as “Cats and Dogs,” or taking the sultry and sublime route, as when she covers Allen Toussaint’s “Funky,” the Austinite offers
Hot CDs Miss Lavelle White’s It Haven’t Been Easy (Antone’s/Discovery) is essentially a primer on modern blues. Houston-bred and currently Austin-based, White is equally comfortable with a soul ballad like the title song, an up-tempo scorcher like “Can’t Take It (I Don’t Give a Damn),” the self-explanatory “Wootie Boogie,” or
Hot CDs In the sixties, Mayo Thompson’s The Red Krayola was a Houston psychedelic band with a writer—Frederick Barthelme—for a drummer. Thirty years later, the amorphous experimental outfit has a new lineup that makes music with the help of such guests as Minutemen alumnus George Hurley, but time has not
My parents were jazzers. In 1954 my father was appointed chairman of the music department at Sam Houston State Teachers College in Huntsville; my mother sang live on the radio. My first memory of any sound at all was of Miles Davis’ muted trumpet; I came out in my pajamas