Jazz

Free Jazzmeia

May 24, 2017 By Nate Chinen

On her debut album, an electrifying young singer from Dallas draws on the past, but refuses to be its prisoner.

Are You Experimented?

Oct 21, 2013 By Nate Chinen

When Robert Glasper won a Grammy for Best R&B Album, no one was more surprised than the Houston-born jazz pianist himself.

Unsentimental Journey

Jan 20, 2013 By John Morthland

Ornette Coleman's radical theory of harmolodics helped redefine jazz. His relationship with the music business has always been troubled, however, and today the Fort Worth native suffers from benign neglect. But his tenor sax still packs an emotional wallop.

Ten

Jun 30, 2010 By Jeff McCord

Too many jazz pianists have surrendered to the unyielding bulk of the instrument, relying on standards with flourished chording, tranquilly delivered. They fashion themselves heirs to greats like Bill Evans but sometimes end up closer to Liberace. It takes real gumption to push that hunk of wood and wire around.

The Struggle Continues

Jan 1, 2008 By Jeff McCord

The best music has always been made by those who defy easy categorization, as exemplified by not one but two posthumous releases from Texas jazz giants. Fort Worth’s Dewey Redman was a glass-half-empty kind of guy who saw his career accomplishments as merely wins in a long battle—so the…

Same Mother

Jan 1, 2005 By Jeff McCord

Like the blues, jazz is steeped in such tradition that players can spend decades finding their own voice. Many never do. Which makes what JASON MORAN has accomplished in just over five years of recording even more remarkable. Same Mother (Blue Note) is simply the latest in a series of—there’s…

Hall of Justice

Jan 1, 2001 By Jeff McCord

Although Texans from Scott Joplin to Jack Teagarden have made noteworthy contributions to the history of jazz, a music form that may be our country's greatest artistic achievement, they are all but forgotten now. It's high time Texas did something about that.

The Rap on Jazz

Nov 1, 1999 By Jeff Salamon

Is there a place in the genre for hip-hop influences? Houston pianist Jason Moran thinks so.

Dorough cut his major-label deal at 73.
My Hero, Dorough

Dec 1, 1998 By Jeff McCord

He jammed with Miles Davis, enlivened Saturday morning children’s TV, and signed his first major-label record deal at 73. Meet jazz giant Bob Dorough.

Jaclyn Smith

Apr 30, 1998 By Brian D. Sweany

I’ve danced all my life, and I really thought that I would eventually open a ballet school. It’s a wonderful discipline and a wonderful release. I started dancing when I was three because I loved the pink tutu and the ballet shoes. I got myself involved—it wasn’t anything that my…

Jazzed

Apr 30, 1998 By Jeff McCord

Can yet another independent label survive in today’s rough- and-tumble music business? The young founders of Dallas’ Leaning House Records sure hope so.

CD and Book Reviews

Jul 31, 1997 By Texas Monthly

Hot CDs West Texas bluesman Long John Hunter plays even more guitar than usual on Swinging From the Rafters (Alligator), and that’s a lot of guitar. Hunter represents the party-down end of the blues spectrum; he’s gotta poke fun at himself even when he’s ostensibly down-and-out, as on “I’m Broke.”…

CD and Book Reviews

Jun 30, 1997 By Texas Monthly

Hot CDs The real pleasure in Toni Price’s Sol Power (Antone’s/Discovery/Sire) is trying to peg her as country, blues, or folk. Whether she’s singing something silly and simple, such as “Cats and Dogs,” or taking the sultry and sublime route, as when she covers Allen Toussaint’s “Funky,” the Austinite offers…

CD and Book Reviews

Feb 1, 1997 By Texas Monthly

Hot CDs Miss Lavelle White’s It Haven’t Been Easy (Antone’s/Discovery) is essentially a primer on modern blues. Houston-bred and currently Austin-based, White is equally comfortable with a soul ballad like the title song, an up-tempo scorcher like “Can’t Take It (I Don’t Give a Damn),” the self-explanatory “Wootie Boogie,” or…

CD and Book Reviews

Jan 1, 1997 By Texas Monthly

Hot CDs In the sixties, Mayo Thompson’s The Red Krayola was a Houston psychedelic band with a writer—Frederick Barthelme—for a drummer. Thirty years later, the amorphous experimental outfit has a new lineup that makes music with the help of such guests as Minutemen alumnus George Hurley, but time has not…

Will Lee

Sep 30, 1996 By Renee Boensch

My parents were jazzers. In 1954 my father was appointed chairman of the music department at Sam Houston State Teachers College in Huntsville; my mother sang live on the radio. My first memory of any sound at all was of Miles Davis’ muted trumpet; I came out in my pajamas…

Riffs on Roy

Apr 30, 1996 By Doug Ramsey

Oak Cliff native Roy Hargrove may not have the depth and seasoning of Wynton Marsalis, but the 26-year-old prodigy could still be one of the great jazz trumpeters of our day.