Music
July 8, 2021
The Flatlanders’ Rollicking New Album Pays Tribute to Country Music History
The Lubbock band's first release in 12 years features satisfying covers of tunes by George Jones, Ernest Tubb, Johnny Cash, and other greats.
Jimmie Dale Gilmore
Music
January 20, 2013
The 100 Best Texas Songs
Two are by Willie. Which songs, exactly? And what about the remaining 98? You’ll have to check our list to find out.
Music
April 30, 2000
Gotta Lubbock
Buddy Holly. Waylon Jennings. Carolyn Hester. The Hancocks. The Flatlanders. An oral history of the state's most storied music scene.
Books
November 1, 1998
CD and Book Reviews
Hot CDsDistancing themselves further still from their earlier banjo-punk novelties, Austin’s Bad Livers go with what they know on Industry and Thrift (Sugar Hill). There is too much attitude and eclecticism at work to call this traditional bluegrass, yet despite a couple of electric interludes, the musical leanings of composer-singer
Music
July 31, 1998
CD and Book Reviews
Hot CDsYou could plunk Doug Sahm and Augie Meyers down on a stage anywhere in the world, with any sidemen, and they could deliver the irresistible dit-dit-dit they’ve plied for more than thirty years without missing a beat. On The Sir Douglas Quintet/Live Texas Tornado (Takoma), a reissue of a
Art
April 30, 1998
Joe Cool
Joe Ely hits the road.
Books
April 1, 1998
CD and Book Reviews
Hot CDsThis month Texas music shines on the silver screen. The soundtrack for The Horse Whisperer (MCA) not only features cuts from Don Walser, George Strait, and Steve Earle but also a Butch Hancock—Joe Ely— Jimmie Dale Gilmore reunion (long removed from Lubbock, they are now called the Hill Country
Music
March 1, 1998
The Great, Late Townes Van Zandt
More than a year after his death, he’s still being remembered as the best Texas songwriter of his time. This month’s star-studded Austin City Limits tribute shows why.
Books
June 30, 1996
CD and Book Reviews
Hot CDsBraver Newer World (Elektra) might well be the record that Jimmie Dale Gilmore has always wanted to make. A radical departure in both instrumentation (the sitar and fuzz guitars of the title track) and arrangements (the overhaul of Joe Ely’s “Because of the Wind”), it’s the closest the Austin-via-Lubbock