Joe Ely

Music |
January 20, 2013

Pitch Perfect

What’s the secret to writing a great country song? Which comes first, music or lyrics? Looking to answer these and other questions, we gathered a group of singer-songwriters—Guy Clark, Robert Earl Keen, Sonny Throckmorton, Patty Griffin, and Jack Ingram—set out a couple guitars, and let the tape roll.

Music |
March 31, 2008

Live Cactus!

There’s a short roster of rock and roll performers (Jagger, Springsteen) who can rivet your attention every time they step onstage. If you grew up in Texas, here’s a name on that list: Joe Ely. Those who have seen Ely give his all, particularly with his early Jesse Taylor/Ponty

Music |
February 1, 2007

Joe Ely

“You feel like you’re passing through time, but you don’t really feel like you’re leaving any time behind. You’re kind of in the moment, because the wind’s in your face and there’s always another highway.”

Music |
April 30, 2000

Gotta Lubbock

Buddy Holly. Waylon Jennings. Carolyn Hester. The Hancocks. The Flatlanders. An oral history of the state's most storied music scene.

Music |
August 31, 1998

CD and Book Reviews

Hot CDsI was already familiar with James Brown’s Say It Live and Loud (Polygram), which was recorded live at Memorial Auditorium in Dallas on August 26, 1968. I was there, a couple of rows back from the front, and hearing it all over again is one sweet pleasure: the tight,

Books |
April 1, 1998

CD and Book Reviews

Hot CDsThis month Texas music shines on the silver screen. The soundtrack for The Horse Whisperer (MCA) not only features cuts from Don Walser, George Strait, and Steve Earle but also a Butch Hancock—Joe Ely— Jimmie Dale Gilmore reunion (long removed from Lubbock, they are now called the Hill Country

Music |
February 1, 1997

True Believer

Few Austin musicians have been as close to stardom, and unable to reach it, as Alejandro Escovedo. But for him, fame has never really been the point.

Books |
June 30, 1996

CD and Book Reviews

Hot CDsBraver Newer World (Elektra) might well be the record that Jimmie Dale Gilmore has always wanted to make. A radical departure in both instrumentation (the sitar and fuzz guitars of the title track) and arrangements (the overhaul of Joe Ely’s “Because of the Wind”), it’s the closest the Austin-via-Lubbock