The Lubbock band's first release in 12 years features satisfying covers of tunes by George Jones, Ernest Tubb, Johnny Cash, and other greats.
What’s the secret to writing a great country song? Which comes first, music or lyrics? Looking to answer these and other questions, we gathered a group of singer-songwriters—Guy Clark, Robert Earl Keen, Sonny Throckmorton, Patty Griffin, and Jack Ingram—set out a couple guitars, and let the tape roll.
There’s a short roster of rock and roll performers (Jagger, Springsteen) who can rivet your attention every time they step onstage. If you grew up in Texas, here’s a name on that list: Joe Ely. Those who have seen Ely give his all, particularly with his early Jesse Taylor/Ponty
Hot CDs I was already familiar with James Brown’s Say It Live and Loud (Polygram), which was recorded live at Memorial Auditorium in Dallas on August 26, 1968. I was there, a couple of rows back from the front, and hearing it all over again is one sweet pleasure: the
Hot CDs This month Texas music shines on the silver screen. The soundtrack for The Horse Whisperer (MCA) not only features cuts from Don Walser, George Strait, and Steve Earle but also a Butch Hancock—Joe Ely— Jimmie Dale Gilmore reunion (long removed from Lubbock, they are now called the Hill
Hot CDs Braver Newer World (Elektra) might well be the record that Jimmie Dale Gilmore has always wanted to make. A radical departure in both instrumentation (the sitar and fuzz guitars of the title track) and arrangements (the overhaul of Joe Ely’s “Because of the Wind”), it’s the closest the