Plus, a melancholy Norah Jones duet, Austin singer Christelle Bofale’s EP, and chef Aarón Sanchéz’s new memoir.
Plus, a bakery perfect for late-night cravings and an interactive Austin literary experience.
Plus, a Houston rapper’s freestyle, a San Antonio native’s bittersweet debut album, and an Austin photographer’s colorful Instagram.
Plus, Black Pumas’ debut album, an introspective single by Big Thief, and a shop inspired by the West Texas desert.
Plus, a North Texas photographer’s Instagram and Brockhampton’s new music video.
Plus, more under-the-radar hits, a carefree indie-pop music video, and a surrealist rock opera.
Plus, a fashion blogger’s inspiring posts, a must-see fireworks scene, and a podcast on contemporary poetry.
Plus, an immersive art experience, a song nostalgic for hometowns, and a Southern Gothic rom-com.
Plus, more summer jams, an essay about coming of age in Houston, and an Instagram account where sneaker culture and preachers collide.
Plus, Mary H.K. Choi’s novel about young adulthood in Austin, a classic Cyd Charisse film, and Liza Koshy’s YouTube series.
Plus, Brené Brown’s Netflix special and the Vincent van Gogh exhibit at the Museum of Fine Arts, Houston.
Plus, the second coffee table book from El Arroyo, a dreamy music video, and something just a bit quirkier out of Texarkana.
Plus, a hip-hop powerhouse from Houston, an immersive history exhibit in Austin, and a fictional boy genius in East Texas.
Plus, Tom Morello’s SXSW magic, a cancer researcher celebrated, and hand-painted jean jackets.
Texas Monthly Recommends: Learning How to Cook Mouth-Watering Desserts From Dallas-Raised Chef Priya Krishna
Plus, the songs we can't stop listening to, from George Strait's latest to one of the first rock and roll songs to Weird Al Yankovic's classic Chamillionaire remix.
Texas Monthly Recommends: Soaking Up the Sounds on Saturday Night with Joe Nick Patoski’s ‘Texas Music Hour of Power’
Plus, explosive photography from Austin, instrumentals from Billy Preston, and a podcast investigation of Anna Nicole Smith.
Texas Monthly Recommends: Brandon Maxwell of ‘Project Runway’ Delights in Texas Glamour With a Fabulous Spring/Summer Line Video
Plus, garage rock from Texas City, Tejano rock n’ roll from San Antonio, and surviving a fictional rapture in small-town Texas.
Plus, rap from San Antonio, essays from Houston, and landscape photography from across the state.
Hot CDsInevitable baggage accompanies an album whose sessions splintered a great band, ousted three producers, and outlasted a record company. But if ex-Austinite Lucinda Williams is a paragon of self-doubt, she’s also a gifted writer who gets to the core of a character in the course of a three-minute tune.
What a hall! The Houston Museum of Natural Science’s new wing has a mask of a pre-Inca lord, a re-creation of a Mayan temple, and more. Plus: An international opera star takes the stage in Fort Worth; boxer Oscar De La Hoya goes round and round in El Paso; the
The Bass Performance Hall is open for business, and the acoustical expectations are high (Fort Worth). Plus: Readers and writers celebrate literary Texas (Dallas, Fort Worth, San Antonio, and elsewhere); the nation’s top golfers get in the swing (Dallas and San Antonio); Texas Czechs bounce to the strains of primo
Hot CDsThis month Texas music shines on the silver screen. The soundtrack for The Horse Whisperer (MCA) not only features cuts from Don Walser, George Strait, and Steve Earle but also a Butch Hancock—Joe Ely— Jimmie Dale Gilmore reunion (long removed from Lubbock, they are now called the Hill Country
For music fans in Austin, Dallas, Houston, Round Rock, and San Antonio, these are the fest of times. Plus: An oilman’s artistic vision is realized in San Antonio; a Dallas photography show honors lensmen from Mexico and Houston; Houston Grand Opera stages Arabella; and many of the nation’s swiftest athletes
Hot CDsSan Antonio’s Monte Montgomery is a guitarist’s guitarist, but he doesn’t let that get in the way of the music on 1st and Repair (Heart Music). He brings taste, precision, economy, and a playful sense of timing to poppish songs with sturdy hooks and sings in a voice that’s
Around the State Gary P. Nunn and other singer-songwriters tour the state in celebration of Texas history. Plus: A collection of powerful photos are on display in Corpus Christi; a top Russian ballerina tiptoes into Houston; Golden Gloves boxers are a hit in Fort Worth; and guitar buffs come together
A three-museum Robert Rauschenberg retrospective in Houston. Plus: Garth Brooks plays Dallas and Fort Worth; mountain bikers converge on Big Bend; Goya’s prints on display in Dallas; and Ellen Burstyn onstage in Houston. Edited by Quita McMath, Erin Gromen, and Katy Vine THE MAIN EVENT The Rauschenbergs Are Coming! The
Hot CDsTalk about a “solo artist”: On You Coulda Walked Around the World (rainlight records), Butch Hancock is record label boss, co-producer, photographer, singer, songwriter, and lone musician. The Lubbock-born Hancock left Austin for Big Bend about a year ago, and the result is a casually haunted album that’s suffused
A Western photographer’s retrospective in Fort Worth will leave you thinking, Holy Cowboy! Plus: Lounging around in Houston; listening to the tenor of the times in Corpus Christi; staging something Wilde in Dallas; and grooving to the joy of sax in Houston.THE MAIN EVENTRange InterludeErwin E. Smith’s artistic vision had
Hot CDsSure, you can waltz across Texas to the Cornell Hurd Band’s Texas Fruit Shack (Behemoth), but you can also shuffle, two-step, boogie, and maybe even jitterbug. Joined by guest stars like Johnny Bush, Austinite Hurd fronts a versatile group that puts an authoritative stamp on the full run of
Hot CDsThe 33 selections on My Time: A Boz Scaggs Anthology (1969— 1997) (Columbia/Legacy) are as sleek and as shiny as a Highland Park Mercedes. Despite the ex-Dallasite’s irresistible sense of flow-as-melody, several tracks on the two-CD set are also vapid enough to reconfirm that all that glitters is not
Hot CDsFew voices evoke the pathos of country and western tragedy as genuinely as the rich, honeyed timbre of George Jones. By 1962, the year Jones signed with the United Artists label, the East Texan had been divorced, jailed, and was already as legendary for his hard drinking as his
Hot CDsRunning on equal parts inspiration and gumption, Austin’s Damnations are the alternative to alternative country, going way back for tunes like “Copper Kettle,” forward for a romp through Lucinda Williams’ “Happy Woman Blues,” and their own way with impressively traditional-progressive originals. The mostly acoustic Live Set (Damnations), pressed in
Hot CDsWest Texas bluesman Long John Hunter plays even more guitar than usual on Swinging From the Rafters (Alligator), and that’s a lot of guitar. Hunter represents the party-down end of the blues spectrum; he’s gotta poke fun at himself even when he’s ostensibly down-and-out, as on “I’m Broke.” With
Hot CDsThe real pleasure in Toni Price’s Sol Power (Antone’s/Discovery/Sire) is trying to peg her as country, blues, or folk. Whether she’s singing something silly and simple, such as “Cats and Dogs,” or taking the sultry and sublime route, as when she covers Allen Toussaint’s “Funky,” the Austinite offers an
Hot CDsThe Horsies are an extremely unusual outfit, so it figures that the perverse, polymorphously percussive Austin combo’s second record, Touch Me Columbus, is only available on the relatively obscure Japanese label Benten (though some Texas record stores will be carrying it). A giddy three-man, three-woman band with five often
Hot CDsAbra Moore’s wispy, quivering voice works hard to be heard among the loud, rude guitars of Strangest Places (Arista/Austin). It’s a far cry from her earlier, softer work with Poi Dog Pondering and as a solo artist. Even when she falters, the Austinite’s transformation into a rocker adds resonance
Hot CDsSing, Cowboy, Sing: The Gene Autry Collection (Rhino) is a three-CD set featuring 84 favorites by the singing cowboy from Tioga. But these aren’t always the best-known versions; many are previously unreleased transcriptions from his Melody Ranch radio show that measure up well and thus add to the Autry
Hot CDsThanks to her auspicious debut, Baduizm (Universal), 25-year-old Erykah Badu is being billed as the hip-hop Billie Holliday, which may be a bit—how do you say?—premature. But working with jazz and hip-hop all-stars and singing originals that are definitely more intimate than gritty, the silky-voiced South Dallas native does
Hot CDsMiss Lavelle White’s It Haven’t Been Easy (Antone’s/Discovery) is essentially a primer on modern blues. Houston-bred and currently Austin-based, White is equally comfortable with a soul ballad like the title song, an up-tempo scorcher like “Can’t Take It (I Don’t Give a Damn),” the self-explanatory “Wootie Boogie,” or a
Hot CDsIn the sixties, Mayo Thompson’s The Red Krayola was a Houston psychedelic band with a writer—Frederick Barthelme—for a drummer. Thirty years later, the amorphous experimental outfit has a new lineup that makes music with the help of such guests as Minutemen alumnus George Hurley, but time has not tarnished
Hot CDsAlong with Nat “King” Cole, Texas City native Charles Brown became the father of late-night “cocktail blues” in Los Angeles in the forties. Half a century later, Honey Dripper (Verve/Gitanes) vividly conjures up Brown’s suave, stylish world. His voice is sweet and smoky like a rich cigar and as
Around the State Edited by Quita McMath, Josh Daniel, Erin Gromen, and Cheri Ballew summary: The Smithsonian Institution takes its show on the road (Houston). Plus: Yuletide celebrations that hold a candle (San Antonio); the Tokyo String Quartet gets caught in the fiddle (Fort Worth and Houston); where to meet
Hot CDsTwo years after their wildly successful debut, Elida y Avante bounce back from label troubles with Algo Entero (Tejas). For my money, Mercedes-born Elida Reyna is tejano’s next female superstar. Her husky, throbbing voice is mature well beyond her 24 years—she has the archetypal blend of innocence and experience—and
Around the State subheading: A selective guide to amusements and events. Edited by Quita McMath, Josh Daniel, Erin Gromen, and Cheri Ballew summary: Members of Bob Wills’s Texas Playboys and Playgirls stage a swinging comeback (Austin and Bandera). Plus: The Day of the Dead lives (Austin, El Paso, Houston, and
Hot CDsSalt? Fat? Excess? You’ll get none of that from the women of Pork. On their second album, Slop (Emperor Jones/Trance Syndicate), the Austin trio gets maximum results from a minimalist approach. Like a modern-day Modern Lovers, the band has a simple, timeless garage-rock sound that thrives on a patchwork
Mexico’s Ballet Folklórico steps lively (Dallas, Galveston, and San Antonio). Plus: the richness of Catalonian art (San Antonio); the brew-haha that is Oktoberfest (Fredericksburg); the keys to jazz piano (Austin, Houston, and San Antonio); and singing the praises of Gabriel García Márquez (Houston). Edited by Quita McMath, Erin Gromen, and
East meets Southwest in an unprecedented festival of Japanese culture in Dallas. Plus: Texas rock and rollers shake their Hootie; Lubbock gets down for a four-day celebration of cowboys and cool tunes; the University of Texas Longhorns host the Fighting Irish of Notre Dame—and give one of their own the
Hot CDs The boys from Bedhead wipe the sleep from their eyes with Beheaded (Trance Syndicate), a volume of 1995 recordings that serves as the band’s second album. The brainy Dallas quintet’s three-guitar setup shimmers and creeps, foreshadowing the hypnotic bursts of woozy but assertive riffs and unassumingly catchy tunesmithing.
At the twenty-fifth annual Texas Folklife Festival in San Antonio, you can nibble on Lebanese kibbeh, sample Nigerian suya, gnaw on a Filipino inihaw—or stick to watermelon from Luling. Plus: A Fantastick show in Fort Worth from the boys of Tuna; powerful photos from Richard Avedon in Austin; a hellish
Hot CDsBraver Newer World (Elektra) might well be the record that Jimmie Dale Gilmore has always wanted to make. A radical departure in both instrumentation (the sitar and fuzz guitars of the title track) and arrangements (the overhaul of Joe Ely’s “Because of the Wind”), it’s the closest the Austin-via-Lubbock