Evan Smith is the CEO and editor in chief of the Texas Tribune. Previously he spent nearly 18 years at Texas Monthly, stepping down in August 2009 as the magazine’s president and editor in chief. He previously served as editor for more than eight years—only the third person to hold that title. On his watch, Texas Monthly was nominated for 16 National Magazine Awards, the magazine industry’s equivalent of the Pulitzer Prize, and twice was awarded the National Magazine Award for General Excellence. For eight years, he hosted the Lone Star Emmy Award-winning weekly interview program Texas Monthly Talks, which aired on PBS stations statewide. He currently hosts Overheard With Evan Smith, airing on PBS stations nationally. A New York native, he has a bachelor’s degree in public policy from Hamilton College and a master’s degree in journalism from Northwestern University.
“You know, talking to people is not appeasement if you know what you’re doing and you’re a good, hard-nosed negotiator. There ought to be nothing wrong with diplomacy.”
“I’m a good ol’ girl from Texas, and sometimes people misinterpret that Texas thing. I’ve learned to tone it down, but it’s been a drag. It’s the unfortunate aftermath of having gone to the mat with the wrong guys in Hollywood.’
“They take a shot at the presidency indirectly through me, which is fine … It just angers me that our professional journalists have accepted lower standards. I feel like Sergeant Friday: ‘Just the facts, ma’am.’”
“It’s funny: I’ve never been scared on a shuttle mission. It’s just the nature of the job. You’re busy, you’re focused, you’re well trained, and you go, ‘You know, if I’m going to die, there’s nothing I can do about it.’”
Wealthy Republican donor James Leininger on why he supports school vouchers and opposes apostates in his party.
“We don’t look at color, we don’t look at religion, we don’t look at economic means. Laredo is a real laid-back, accept-everybody kind of place.”
“It’s immensely gratifying to work with people who are trying to do their best at what they do toward a common end. And whether it’s an arrangement or the performance of a single song, I just love the feeling of watching three or four or sixteen people all working together.”