Michael Ennis has been a regular contributor to Texas Monthly since 1977. He is the New York Times best-selling author of the historical novels The Malice of Fortune, Duchess of Milan, and Byzantium, which have been published worldwide. He earned his degree in history from the University of California, Berkeley; taught art history at the University of Texas, Austin; and is a former John D. Rockefeller III Foundation Fellow. His nonfiction writing, on subjects ranging from military preparedness and national politics to art and architecture, has won several national awards; been included in the curriculum of the U.S. Military Academy at West Point; and has been published in a number of books and anthologies as well as magazines such as Esquire, ARTnews, and Architectural Digest.
The real revelation of Donald Judd’s early work is how far ahead of its time it looksnot simply its own time, but our time as well.
Modernism may yet be proved dead, but if so, it has left an exquisite corpse in Fort Worth’s stunning new Modern Art Museum.
Some people look at Houston and see only rough edges. Peter Marzio, the director of the Museum of Fine Arts, Houston, sees a brash upstart that should be proud of its cultural riches.
At Houston’s FotoFest 2002, digital art took center stage as never before-and proved that the Next Big Thing might really be the next big thing.
The Hyde Park Miniature Museum in Houston is an outsized testament to one man’s love of his life’s little treasures.
With a massive addition to its gallery space and a host of new exhibitions in the works, Fort Worth’s Amon Carter Museum is back in the saddle.
Frank Reaugh was one of the state’s greatest artists. So why does his name draw so many blanks?
Denton’s Toni LaSelle has a perspective on the modernist movement like no other artist. That’s because she witnessed it first-hand.
Meet two prominent Houston artists who are
at the forefront of digital artand the
debate over what virtual reality means for
If you’re searching for the splendor of Spain’s golden age, look no further than the Meadows Museum in Dallas and the Alamo in San Antonio.
From Fort Worth’s Amon Carter Museum to
Houston’s Pennzoil Place to Dallas’ forthcoming
Cathedral of Hope, architect Philip Johnson’s grand
vision for Texas is set in stone.
With Fort Worth’s Michael Auping as a curator and nine of the state’s artists participating, this year’s Whitney Biennial puts a New York spotlight on the art of Texas.
Sixteen years after rocketing into the Whitney Biennial, Dallas photographer Nic Nicosia is still on the cutting edge.
How a collection of paintings and drawings coveted by Sotheby’s and other art world Goliaths ended up at the University of Texas at Austin.