Michael Ennis

Michael Ennis has been a regular contributor to Texas Monthly since 1977. He is the New York Times best-selling author of the historical novels The Malice of Fortune, Duchess of Milan, and Byzantium, which have been published worldwide. He earned his degree in history from the University of California, Berkeley; taught art history at the University of Texas, Austin; and is a former John D. Rockefeller III Foundation Fellow. His nonfiction writing, on subjects ranging from military preparedness and national politics to art and architecture, has won several national awards; been included in the curriculum of the U.S. Military Academy at West Point; and has been published in a number of books and anthologies as well as magazines such as Esquire, ARTnews, and Architectural Digest.


Southern Exposure

At Houston’s Museum of Fine Arts, Mexican photographers portray their culture with rare empathy and a sense of wonder.

Long Shot

Bert Long comes to Houston’s Contemporary Arts Museum by way of the Fifth Ward, the Marines, haute cuisine—and the Prix de Rome.

Then and Now

Two San Antonio shows examine how Texas artists interpret the state’s past and present.

Double Visions

Melissa Miller’s latest paintings are a dark departure from her past; a Rauschenberg retrospective examines his youthful eye.

Buried Treasures

Sifting through stored collections, the Dallas Museum of Art discovers a tradition of spiritual subtlety among Texas artists.

Looking at Mexico

Visitors may suffer from culture shock upon seeing the artistic riches of “Mexico: Splendors of Thirty Centuries.”

Cult of Self

Young Mexican artists look inward for magic, menace, and machismo.

Golden Oldies

San Antonio’s new ancient-art gallery takes you back a few millennia.

The Ties That Bind

An exhibition by a trio of contemporary women artists looks at what matters most to them.

Sacred Meets Profane

Benito Huerta reconciles the religious and the worldly in powerfuul new works at Houston’s Contemporary Arts Museum.

Bold Strokes

Drawing from its extensive Texas art collection, Houston’s Museum of Fine Arts has assembled a concise survey of a vast subject.

Images at War

A Fort Worth exhibit of scenes from the Mexican War shows that fanciful lithographs outgunned the realism of nascent photography.

Home Is Where the Art Is

Two museum shows culled from private collections illustrate that Texans know what they like—and it’s not just Monets and Renoirs.

New World to Conquer

For years, the Dallas Museum of Art sought prestige by following the mainstream. The new director thinks it’s time to change course.

Parish the Thought!

FYI: The Houston Post’s new society sleuth has great connections, a phone in her purse, and the complete attention of Houston’s haut monde.