ON A HILLTOP NEAR THE INTERSECTION of U.S. highways 67 and 90, just east of Alpine, a plywood stagecoach and four horses seem to be hightailing it into town. “A local artist-character built the stagecoach,” says Rick Sohl, who owns the hilltop. “He used it in parades but was looking
Janis Joplin’s life was about music, rebellion, and excess—but she was influenced most by her tormented relationship with the people and spirit of Port Arthur.
When James H. Evans moved to Marathon in 1988, he was struck by its abundant wildlife. “Anything unattended will be overrun with animals,” says the photographer. Evans takes up that theme in his “Lucille” series, focusing on a house vacated by the death of an elderly friend of that name.
YOU COULD HEAR A GASP from the audience when Clint Eastwood suddenly appeared on the screen. It was just a preview of his new movie, Unforgiven, but there he was in a long, dark slicker, his face in profile, staring menacingly from beneath a dark hat with a flat rim:
After a visit abroad in 1987, Sean Earley transformed his art. He returned steeped in Italy’s ubiquitous religious imagery, eager to paint the icons of his home state’s country and western myths (see “Earley Texas,” TM, December 1990). In this memorial scene, the Rodeo Queen presides over ascending contestants. Set
HIS HEAD IS A TOMATO CHUNK. HIS tortilla shell is surprisingly furry. His feet look like jalapeño peppers. And when kids tackle him during the sixth-inning footrace at the San Antonio Missions’ home games at V. J. Keefe Field, they sometimes send his shredded lettuce and grated cheese flying. What’s
When Birney Imes began working on his juke joint series in 1983, the black honky- tonks that nourished the Mississippi Delta’s rich blues tradition were being replaced by discos. “What attracted me,” Imes says, “was the creativity that went into that special atmosphere. The older places have a timeless quality.”
Elvis fans will have their very own sightings in a new book, In Search of Elvis, just published by the Summit Group in Fort Worth ($12.95). The cartoon book is a knockoff of the prodigiously successful Where’s Waldo? children’s series, but Summit’s publicity coordinator Bryan Drake suspects that more parents
One of the state’s strongest contenders for a gold medal at the Summer Olympics will be San Marcos high jumper Charles Austin. That’s assuming that the 24-year-old Austin, the reigning world champion in the high jump, makes the team at the Olympic trials in late June. He is one of
William Wegman’s subtle portraits of his weimaraners have elevated the pet photo to high art. But few connoisseurs have known the range of his creativity—until now. The &first retro- spective of the artist’s output, on view at Houston’s Contemporary Arts Museum, offers more of his trademark pups but also plenty
As the sole studio photographer in Granger from 1924 to 1955, John Trlica recorded on film most of the important occasions—public and private—in the Central Texas farming community. Because Trlica kept meticulous records and saved every negative, his shop became the repository for an intensely documented history of a small
“Still ahead of its time, even after twenty years,” says architect Doug Michels about Ant Farm’s futuristic House of the Century, designed and built in 1972. The colony of anti-establishment architects (of whom Michels was one) christened themselves Ant Farm in honor of the toy ant colonies popular in the
Photojournalist Jim Cammack was struck by an odd sight at Sweetwater’s annual spring rattlesnake roundup: a man with a tail. No, the man, a Jaycees volunteer, was not participating in a roundup-sanctioned snake-wrestling contest. He was demonstrating one technique for holding the powerful Western diamondback while milking its venom.
The grand scenery of the American Southwest draws hordes of tourists bent on capturing calendar-perfect panoramas on film. In “Revealing Territory: Photographs of the Southwest by Mark Klett,” an aptly titled show opening March 14, the Amon Carter Museum in Fort Worth presents quite different views, ones that the vista-hungry
On assignment for Country America magazine, Dallas freelance photographer Danny Turner traveled to Southern California’s Roy Rogers—Dale Evans Museum to snap a portrait of the singing cowboy. Turner just couldn’t resist grabbing the opportunity for a “me and Roy” photo, and it turned out so well that Turner put it
