Robert Rauschenberg
Artist, 1988
Artist, 1988
As fans of the CBS Evening News and Dan Rather, we believe that Robert Draper’s “Dan Rather Is a Good Ol’ Boy” [TM, November 1991] is a fair and unbiased account. It is a mystery to us that Mr. Rather provokes such controversy. He seems to make
Photograph by George Krause
I had high expectations when I subscribed to Texas Monthly to use in a reception area of our company. I was very disappointed when I saw the “What a Dish!” cover [TM, October 1991]. If I had wanted to put a half-naked, sleazy female in my reception area, I would
Austinite Rebecca McEntee’s nostalgic view of a Hill Country retreat appears in Texas on a Roll–Images of Texas by Texas Photographers (Thomasson-Grant, $50), a project of the state’s three chapters of the American Society of Magazine Photographers. Members were asked to submit the best of their work. Some 160 photographers
“The Texas 100” [TM, September 1991] refers to my attitude about George Bush and Dresser Industries. Dresser is a fine company with an excellent leader, Jack Murphy. We enjoy extensive business and personal relationships with that company; in fact, on my trip to Iraq we retrieved the Dresser employees and
Can you avoid criminal violence?
Paris-based Sebastião Salgado was among the international corps of photographers who converged on Kuwait last February to document the oil-field inferno that the retreating Iraqis left behind. On assignment for the New York Times Magazine, Salgado also captured the crushing weariness of the firefighters, many of whom worked for Texas
Photograph by Harry Benson
Ross Perot is still number one, but here’s where to find the other 99.
Clothes to wear when you know the lay of the land.
Photograph by Michael O’BrienMichael O’Brien put the legendary Heisman trophy winner on the highest available pedestal for this shot. Campbell joins the trio of other famous Texans —Nolan Ryan, George Strait, and former Miss USA Gretchen Polhemus—who have posed looking spiffy for Wrangler’s “Western originals” advertising campaign, created by
Face to face with wrestling’s Wild Horse, Lone Ranger, and Road Warrior.
Photograph by David Levinthal
When it comes to moviemaking, there’s no place like home.
Original posters from Austin’s musical past.
Photograph by Ethan Hoffman
A tip of the cap to Texas’ crowning glories.
Photograph by Ave Bonar
Photograph by Anne Noggle
They started off short in the saddle, but now these fifteen Texans stand tall.
An enterprising businessman at the turn of the century steered tourists to the Southwest with Pueblo Deco architecture.
It was a year of absent anchors, Bush broccoliphobia, contraband clocks, dastardly Dakotas, egad! Elections, foolhardy fig leaves, governor’s grackles, Hussein harmonizing, incoherent Incaviglia, jury junkets, KO kisses, licentious license plates, misunderstood mummies, naughty notebooks, oil-spill oratory, pretentious pyres, quintessential quadraceps, reverential Sakowitz, telephone telepathy, unwise uppercuts, viper volunteers, wildcatting
Photograph by William Coupon
Dallas painter Sean Earley moves to Italy and learns to paint Texas.
Rich Clarkson brings a new perspective to Texas A&M honor guards “humping it”—Aggies claim the peculiar crouch helps project yells—in game day usa, a survey of college football culture by 22 photographers, just issued by Kodak/Thomasson-Grant.
4 cups all-purpose flour 2 tablespoons powdered sugar 1 tablespoon salt 2 teaspoons baking soda 1/2 cup shortening 2 cups buttermilk 1/4 cup caraway seeds 1 egg yolk 4 tablespoons milkPreheat oven to 400 degrees. Mix together flour, sugar, salt, and soda. Cut in shortening, add buttermilk, and mix until
Photography by Wyatt McSpadden
Where to find your local mogul.
Why multimillionaires like Clayton Williams didn’t make the cut-yet.
The Texas 100 survey.
Fortunes come and go-and some from 1989’s Texas 100 came in under our $120 million minimum.
Homegrown businesses with large-scale profits.