Urban Frontier Artist Jesse Lott Found a New Kind of Beauty in Houston
Jesse Lott, the influential cofounder of Project Row Houses who died last week at age eighty, was a genius in his own right.
Jesse Lott, the influential cofounder of Project Row Houses who died last week at age eighty, was a genius in his own right.
Twenty-nine years after the Marfa artist’s death, his son partnered with a luxury silver brand to bring the eight-piece dinner service to life.
Frank Kozik, the Austin-based designer, who died this week, captured a generation with his posters for groups like Nirvana, Pearl Jam, and the Beastie Boys.
With a little bit of faith, John Cockle turned his passion for retail and handcrafted jewelry into a successful business.
Treviño’s biographer reflects on the artist’s legacy.
Natalie Irish describes her lipstick-art process as “making out with a canvas.” Her stamplike technique showcases her unique brand of creativity and playful irreverence.
Retired forester Mike Woody lives in a log cabin in the Piney Woods creating intricate tree sculptures. You just can’t make this stuff up.
In a new book, Todd Sanders tells the stories of the custom neon works he’s created for the likes of Willie Nelson and Miranda Lambert.
Sally Maxwell’s images, made from thousands upon thousands of hairline scratches, are impressively detailed.
Michael Gregory faced many hardships, and his unlikely path as a sculpture artist and teacher is a powerful story of resilience.
Scott Wade’s dusty windshield paintings are a temporary art form that makes a lasting impression.
Bob Freeman is a craftsman who carves, plays, and sings the praises of the traditional Native American instrument.
Roel Flores’s folk art paintings are poignant and colorful, and his work is part of the Smithsonian Institution’s permanent collection.
From her studio near the Chihuahuan Desert, Alice Leese paints what it feels like to be out on the ranch.
When artist Cindee Klement designed an eight-hundred-pound sculpture to connect us with the soil under our feet, she got more than she bargained for.
His works incorporate redacted FBI documents, vintage records, and a saxophone deep-fried like a chicken wing.
Edward Carey’s whimsical black-and-white portraits mark milestones both personal and political.
As the Amon Carter Museum reopens, a parallel movement highlighting local artists is flourishing.
Thirty years ago, Monterrey had no galleries, no museums, and no collectors. Today, it’s an art market that rivals Dallas and Houston.
The ins and outs of Saks appeal.
By employing stereotypes like Sambo and Aunt Jemima, Austin painter Michael Ray Charles hopes to master the art of racial healing.
The late folk artist Willard Watson was a funky fixture of Dallas’ art scene. Better known as the Texas Kid, he was famous or his courly manners, cockammy yard art in his Love Field-area home, and eye-popping, Longhourn-crowned luxury cars. Watson often collaborated with other artists; in 1976, for example,
A Houston show introduces new black Texas artists in works that range from personal vision to political agitprop.
Artist, 1988
Not since Remington and Russell has a cowboy artist sold so many works—for so much—as Fredericksburg’s G. Harvey.
Another Texan stuns the New York art and theater world.