‘The Last Blockbuster’ Is a Fond Farewell to the Nearly Defunct Video Chain
Each blue VHS box was a transmission from another planet that promised there were others like me somewhere.
Each blue VHS box was a transmission from another planet that promised there were others like me somewhere.
In her latest documentary, the Dallas-raised singer bravely confronts her demons.
With Dallas-born Jesse Plemons as a villainous FBI agent, the historical drama tells how informant William O’Neal’s betrayal led to the assassination of Black Panther Fred Hampton.
‘The State of Texas vs. Melissa’ creates empathy for Lucio, but the film lacks a clear and balanced exposition of the deeply troubling facts of the case.
Houston native Justin Simien's bloody second film has a social message, but it's at its best when it embraces absurdity and camp.
A new documentary urges viewers to see McCorvey’s essential humanity, not just her role as a symbol in the abortion wars.
The Austin director’s war film is notable for its near-total absence of politics.
Watching Carroll Shelby and Ken Miles take on their bosses feels prescient.
Andrew Patterson’s small-town science fiction standout was filmed in Whitney, Texas.
The Latin American folk tale has frightened generations, but its big-screen adaptation relies too heavily on repetitive scares.
The film, directed by Longview native John Lee Hancock, focuses on the legend of Texas’s most famous bank robbers—and our collective fascination with them.
The micro-budget feature launched a number of A-list careers.
“Two men, both alpha males, from vastly different cultures, are about to collide. . . HARD.”
THERE IS AN OBLIGATORY SCENE in every movie about the border between Texas and Mexico: A man draws a line in the dirt with his boot. The line means something different in each movie, and yet, there it is, a narrow little rut in the ground that the characters gesture
The big-screen bungling of Rosellen Brown’s Before and After.
YOU COULD HEAR A GASP from the audience when Clint Eastwood suddenly appeared on the screen. It was just a preview of his new movie, Unforgiven, but there he was in a long, dark slicker, his face in profile, staring menacingly from beneath a dark hat with a flat rim:
‘Giant’ is just one of the best movies about Texas.
If you thought this summer’s film lineup looked promising, pinch yourself. "The Big Bus" and "Logan's Run," are anything but a reviewer's dream.
Another big money musical is another disaster and cop stories are a too-familiar tune.
Cops, sci-fi, and westerns get served up as leftovers, and only one still tastes good. Meanwhile, Robert Altman has another dazzling film.
Lots of spooky movies this month as a new reviewer takes the wheel.
Whether evading the law, loosening the bonds of marriage, or traveling to the future, escape is the watchword for this group of films.
Neither fish nor fowl, filmed theater is a whole new art form.
Ryan O'Neal, Adolph Hitler and Tom Sawyer have a lot in common. Trust us, you'll see.
Old films and old themes come uneasily back to life.
Marlon takes it off and movies will never be the same.
Dylan Thomas and Ingmar Bergman top some films of varying quality.
LUIS BUNUEL’S THE DISCREET CHARM of the Bourgeoisie is a deliciously pungent concoction by the 72-year-old filmmaker and his young co-scenarist, Jean-Claude Carriere, that will set your spirits soaring and your mind aglow. Never before has this always fascinating artist been quite so tantalizing, so tongue-in-cheek and so deft in