Photography

Books|
January 20, 2013

Pretty Ugly

Why a lavish two-volume attack on the border fence, with photos by Maurice Sherif, misses the mark.

Feature|
January 20, 2013

Light in the Darkness

The title of James Evans’s new series of Big Bend photographs is “The Camera Never Sleeps.” It doesn’t matter, apparently, that the photographer does.

Feature|
January 20, 2013

Dirt and Light

James H. Evans has been photographing Big Bend for twenty years. But never before has it looked so, well, big.

Art|
January 20, 2013

David Lee Garza, Acordeonista

The moment that members of the tejano band David Lee Garza y Los Musicales saw a poster by San Antonian John Dyer, they knew they had found the photographer for their next album. “We wanted more than just a face on a cover,” says bassist Richard Garza, “and his poster

Food & Drink|
January 20, 2013

Holy Smoke

For photographer Wyatt McSpadden, the barbecue joints of Texas are soot-stained temples of meat and their pitmasters solemn keepers of an old-time religion.

Feature|
January 20, 2013

Wyatt’s World

Thirty years after he took his first photograph for us—of charming kook Stanley Marsh 3—contributing photographer Wyatt McSpadden looks back on his extraordinary career and tells the stories behind some of our favorite images.

The Culture|
December 1, 2008

Mark Seliger

“I always approach it as if I’m going to take the picture and, for whatever reason, that’s it. There won’t be another chance.”

Feature|
January 1, 2008

The Unpublished Dan Winters

As one of the country’s top photographers, he’s captured on film hundreds if not thousands of people over the past quarter of a century. These ten portraits have never before been seen, but they’re among his favorites. Ours too.

Art|
April 30, 2001

Field Work

Andrew Lichtenstein spent six years taking pictures inside Texas’ vast prison system. The result is an anthropological study of a brutal culture.

Art|
November 1, 2000

The Searcher

Photographer Kurt Markus spent years tracking down modern working cowboys for his new book, ‘Cowpuncher.’ He corralled the genuine article at several Texas spreads.

The Inside Story|
April 30, 1999

Built for Speedy

RICHARD SPEEDY wasn’t planning on working last January when he took his fifth trip to Mexico’s Copper Canyon, but he happened to be on the same trek as senior editor Joe Nick Patoski, who needed someone to document his crossing of the vast and brutal expanse (see “Let’s Get

The Culture|
September 30, 1998

Leon’s Lens

In the Central Texas town of Seguin, Leon Kubala has been documenting life and death for more than fifty years, one picture at a time.

Art|
June 30, 1998

War Games

In the suddenly trendy world of World War II wannabes, these Texans are big guns.

Art|
November 1, 1997

El Circo

As in Hanoi and Moscow, the circus in Mexico is no three-ring extravaganza. It’s one of the grittiest shows on earth.

Art|
August 31, 1997

What a Drag

Celebrity portraiture often requires that the subject be ready for anything. An imaginative photographer like Houston’s Pam Francis will conjure up unusual settings and costumes to best evoke her subject’s true nature, as when she lured oil tycoon Oscar Wyatt and his German shepherd to the roof of a building

Art|
June 30, 1997

Hail, Mary Ellen

For thirty years Mary Ellen Mark has made her name as a documentary photographer by not shying away from tough assignments, whether that means traveling for six months in India to shoot circus folk or infiltrating the world of runaway kids in Seattle. Chronicling life at Abilene’s House of Yahweh

Art|
May 31, 1997

Captions and Comments

Left: Untitled, 1993. Right: Beware, 1994. The old stereotypes have only been repackaged, Charles says. Right: Clockwise from top left, four paintings from the Liberty Bros. Permanent Daily Circus series: Blue Period, 1995, Oop’s, 1995, Desperados Leap for Life, 1996, and Smiles, 1996. “I’m trying to be as honest

Art|
April 1, 1997

Marathon Man

In 1988, when James H. Evans was in his mid-thirties, he left behind a successful photography studio in Austin and moved to remote Marathon, where he took a job as a cook at the Gage Hotel and shot pictures on the side. “Everyone thought I was nuts,” he says. “I

Art|
April 1, 1997

Range Rover

After fifty years of traveling the Southwest, ranch photographer Frank Reeves left behind a vast body of work and unforgettable portraits of the cowboy’s way of life.

The Stand Up Desk|
December 1, 1996

Running With the Big Dogs

From Fred Gipson’s fictional Old Yeller to A&M mascot Reveille and Lyndon Johnson’s beleaguered beagles, dogs have always reigned as Texans’ pets of choice. The long line of distinguished dog lovers includes John Graves of Glen Rose, Texas’ writer emeritus, and acclaimed Beaumont photographer Keith Carter, who joined forces

The Stand Up Desk|
November 1, 1996

Grand Parent

Nature photography is just part of Laurence Parent’s nature. The 37-year-old Austin-area resident, who took the pictures that accompany this month’s article on Hueco Tanks State Historical Park (“Social Climbers”), has long been known for his landscape work, from wildflower close-ups to desert vistas. “My father was in the

Art|
September 30, 1996

¡Bravo!

A new exhibit in San Marcos pays homage to Manuel Alvarez Bravo, the grandfather of Mexican photography, and the generations of fotógrafos who followed his lead.

Art|
August 31, 1996

Gilt Trip

Andrew Eccles has photographed plenty of 24-karat celebrities for Texas Monthly, but his session with Lou Diamond Phillips was a truly golden experience. “In an industry that’s marked by jaded people,” Eccles says, “Lou was a breath of fresh air. He’s down to earth, talkative, enthusiastic—an incredibly sweet guy.”In his

Art|
April 30, 1996

The Inside Story: Sure Shot

Dallas photographer Laura Wilson has made up for lost time. The 55-year-old Massachusetts native is a regular contributor to Texas Monthly, for whom she has shot portraits of Laredo debutantes and Mullin footballers, and she has also worked for The New Yorker, the New York Times, and the London Sunday

News & Politics|
January 1, 1996

Good-bye to a Friend

He braved dangerous criminals, stalked wild wolves, waded into floodwaters, and chased a hurricane down the Texas coast into Mexico, but in a cruel turn of fate he was felled by a tiny insect. Photographer Doug Milner died November 13 after suffering an allergic reaction to a wasp sting at

Art|
March 1, 1995

Cattle Auction, San Angelo, 1940

In no other state were the turbulent thirties documented as exhaustively as in Texas, where Farm Secirity Administration photographers such as Dorothea Lange and Russell Lee took more than five thousand pictures of Depression and pre-war life . When the agency became the Office of War Information, some of its

Art|
January 1, 1993

Shooting Stars

With wit and grit, Amarillo-born photographer Mark Seliger persuades reluctant celebrities to show their true selves.

Art|
November 1, 1992

The Cowboy Boot Book

This fall, photographer Jim Arndt and Western props supplier Tyler Beard visited the annual event in Burnet to chew the fat with many of the craftsmen featured in The Cowboy Boot Book (Peregrine Smith Books), their pictorial guide to fancy footgear. Arndt and Beard have dressed Western

Art|
November 1, 1992

Dead Again

Get your masks on; put on your dancing shoes. It’s time for Mexico’s Day of the Dead, one of the liveliest celebrations around.

Art|
August 31, 1992

Bull Snake on a Sofa

When James H. Evans moved to Marathon in 1988, he was struck by its abundant wildlife. “Anything unattended will be overrun with animals,” says the photographer. Evans takes up that theme in his “Lucille” series, focusing on a house vacated by the death of an elderly friend of that name.

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