I always knew that the work my dad did as an Episcopal priest and grief counselor was important. But I didn’t understand how important until the birth of my son.
When parents at St. Andrew’s Episcopal School, in Austin—where the Capital City’s moneyed elite have educated their kids for more than fifty years—rebelled against the teaching of ‘Brokeback Mountain,’ it was, you might say, a learning experience for everyone involved.
My best friend from high school is no longer the uncool, baseball-card-collecting goofball he once was. He’s a Navy surgeon and commander, and for two horrific weeks I got to watch him calmly and bravely save lives in wartime—not just Americans’ and not just soldiers’—in one of the most dangerous
He asked me if I was going to be white my whole life. I was, of course. But because of our friendship, I’m no longer the clueless upper-middle-class kid I once was.
Elmo Henderson’s entire life story can be summed up in a single moment: when he stepped into the ring in San Antonio one night in 1972 and knocked out Muhammad Ali. At least that’s the way he tells it. And tells it.
He’s the brashest, most generous, most foul-mouthed trial attorney in the country. And at 89, Joe Jamail can still command a courtroom, mother%*!$#@.
How did Guy Clark become the most revered songwriter in Nashville? One hard-won tune at a time.
A veteran Hollywood screenwriter couldn’t have come up with a better narrative arc: Seeking redemption, 59-year-old reenrolls at university he was once asked to leave, tries out for football team, makes it, becomes one of oldest-ever players in NCAA history. Or at least that’s how the hero wants it to
The tragedy of the Von Erichs—the state’s first family of pro wrestling—is well known not just to fans of the sport but to the many groupies who oohed and aahed at the matinee-idol athletes over the years. Still, you haven’t really heard the story until it’s told by the sole
As a kid I was the pickiest eater you have ever seen, and family meals gave new meaning to the words “food fight.” But I gritted my teeth and overcame it—one disgusting tomato at a time.
Here’s what Steve Earle, Vince Gill, Margo Price, Kacey Musgraves, and the Austin-born actor told us to cue up—and why.
Decades after Willie Nelson performed on the pilot, the show is now a national institution—but not too national.
The author of a 2014 Texas Monthly profile of King George explains why it was among the few stories in his career that made him cry while writing.
‘Live at Budokan’ is a mythical lost recording of Willie at the height of his powers.
The musician, author, and columnist needed an idea. Texas Monthly’s then–editor in chief said, “Make something up.” The rest is history.
It’s a song the California-based singer-songwriter has loved since she was a young girl—but she didn’t really get to know it until she heard Willie’s version.
How Texas Monthly’s Paul Burka held the powerful to account—and made Texas a better place.
The Brooklyn-based singer-songwriter and virtuoso guitarist celebrates two of the greatest players he’s ever heard.
The hard-core honky-tonker talks to us live from Luck, Texas, about “Face of a Fighter” and the other Willie songs he leaned on when he was homeless.
Creating Texas Monthly’s special podcast series ‘One By Willie: Live From Luck!’ showed me that, like Willie himself, the Luck Reunion is all about family.
The three-time Grammy nominee talks to us live from Luck, Texas, about definitive covers, Billie Holiday, and building her family with Willie records playing in the background.
Willie’s longtime producer and writing partner talks about how “Something You Get Through” came together and the way Willie changed country songwriting.
The four-time Oscar nominee talks “Too Sick to Pray” and the way Willie’s music has helped him build his family.
The nine-time Grammy winner talks “Permanently Lonely,” jazzy Django chords, and Willie’s beautifully harsh poetry.
Muscle Shoals bass player David Hood on ‘Phases and Stages,’ producer Jerry Wexler, and “(How Will I Know) I’m Falling in Love Again.”
The Americana singer-songwriter discusses one of Willie’s first iconic cover songs.
Willie’s longtime harmonica player discusses joining the band, stowaways on the bus, and “The Words Don’t Fit the Picture.”
One of America’s greatest songwriters talks Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson . . . and the surprising debt they owe “My Sharona.”
On the 50th anniversary of his eponymous 1972 record, five renowned singer-songwriters—including Jimmy Buffett and Lyle Lovett—celebrate Willis Alan Ramsey.
The 22-time Grammy winner talks faith, Ray Price, and the power of an irresistible first line in a lyric.
‘A Beautiful Time’ picks up where his "mortality trilogy" of albums left off, with an especially off-the-wall cover and new songs reflecting on life and death.
On this special birthday episode of ‘One by Willie,’ Paula Nelson talks about “Devil in a Sleepin’ Bag,” a song her dad wrote about his longtime drummer, Paul English—who happens to be her namesake.
The singer-songwriter talks about “Are You Sure,” getting her granddad into Willie’s poker game, and a gift Willie gave her that she’ll never smoke.
Our latest season of interviews with notable Willie Nelson fans debuts April 20.
Bobbie Nelson, pianist and older sister to Texas music icon Willie Nelson, died Thursday morning at 91.
A Spoon fanboy overthinks the new record, classic rock, cowboy hats, and Jeff Bezos.
Texas Monthly remembers Chester Rosson, a longtime staffer and resident gentle soul.
The Nelson clan’s new gospel album meets the grief and trauma of the pandemic with spirit and hope.
Asleep at the Wheel (belatedly) celebrates fifty years of championing a genre once considered all but dead.
With Willie Nelson turning 88 this week, One by Willie celebrates with one of his biggest fans and most frequent duet partners, singer-songwriter Sheryl Crow, who will talk about what may be the single best-known song he ever wrote, “Crazy.” Like the rest of the world, Sheryl initially fell in
Plus, you’ll never guess who was doing doughnuts outside the studio during a recording session in Bogalusa, Louisiana.
In our latest episode of ‘One by Willie,’ Keen tells a whole host of entertaining stories while explaining his connection to Nelson’s “Mr. Record Man.”
On our latest ‘One by Willie,’ the Austin native talks ‘Always on My Mind’ and getting to scratch his name into Trigger, Willie’s beloved guitar.
On the latest ‘One by Willie,’ Cash talks about that and much more while digging into Willie's 1959 hit ‘Night Life.’
On our latest 'One by Willie,' the celebrated producer and songwriter discusses one of Willie's darkest songs.
On the latest ‘One by Willie,’ Amy Nelson tells of a twenty-year quest to get her dad to record a beloved song from her childhood.
On the latest ‘One by Willie,’ Was talks Ringo, Bob Dylan, Sinead O’Connor, and ‘Across the Borderline’—his favorite of all the tracks he’s worked on.
For our Season 2 premiere of ‘One by Willie,’ Earle takes us back to his days as a longhaired, seventeen-year-old San Antonio kid.
Senior editor and podcast host John Spong will join Dallas Wayne for a special hour of music and conversation.
Listen as our new season’s lineup of distinguished guests talks about their favorite Willie Nelson songs, from an outlaw classic to a Kermit the Frog cover.
The Lumineers lead singer and cofounder on the power of lonesome songs during the holidays, and an apples-to-apples comparison between Willie and Bruce Springsteen.
The Texas singer-songwriter and country music star on a song she’s been singing since childhood, the origins of inspired lyrics, and how Texas country songs are designed for dancing.
The lauded songwriter behind many of country’s greatest hits talks Willie's picking parties with Darrell Royal and why you should never beat Willie Nelson at poker.
The country music legend remembers hearing it on the radio in rural Kentucky and describes Willie's kindness to her grandmother backstage at the CMAs.
The New York–born singer-songwriter got to Texas as soon as he could—and spent the next five decades changing the lives of seemingly everyone he met.
The singer-songwriter talks the surprising complexity of Willie’s songwriting and a special request President George H.W. Bush made while Ingram was playing for him.
For Escovedo, the song conjures memories of his father, as well as ghost stories, old pot dealers, and a cowpunk music video.
‘Whiskey River’ had only one verse and a chorus, but Willie Nelson said that was all it needed.
The four-time Grammy winner talks the solitary nature of songwriting and a big wet kiss Willie once planted on Faron Young.
In the first episode of our new series, the Grammy-winning artist talks about writing sad songs and tells a great dirty joke she learned from Nelson himself.