On the latest National Podcast of Texas, the Texas Film Hall Of Famer and director of Netflix’s new ”The Highwaymen” talks about ”The Blind Side,” ”The Alamo,” and the future of Texas filmmaking.
The Latin American folk tale has frightened generations, but its big-screen adaptation relies too heavily on repetitive scares.
Plus, Tom Morello’s SXSW magic, a cancer researcher celebrated, and hand-painted jean jackets.
One of the oldest ideas in the filmmaker’s notebook is based on his real life. And mine.
A SXSW premiere documentary explores the song’s strangely complex origin story and comes to a surprising conclusion.
Decades after his breakthough film, 'El Mariachi,' he challenged himself to return to his microbudget roots. Now he wants to teach you how to do the same.
The actor (and Elkhart native) and the director discuss physicality, small-town masculinity, and how a lobotomy is a metaphor for going to the movies.
The film, directed by Longview native John Lee Hancock, focuses on the legend of Texas’s most famous bank robbers—and our collective fascination with them.
Few actors start their careers as Lupita Nyong’o did. Her very first feature film role, in Steve McQueen’s Twelve Years a Slave, earned her an Academy Award. From there, as one of the most sought-after young stars in Hollywood, she managed her decisions very carefully. She focused on voice acting—a recurring role…
Director Riley Stearns, a Pflugerville native, talks about pairing silliness with a violent vision of what it means to be a man.