City Girl
"I moved to Austin in 1974, and it was this kind of magical place. The whole alternative culture controlled the town."
"I moved to Austin in 1974, and it was this kind of magical place. The whole alternative culture controlled the town."
"I don't believe anything in this world could ever disturb or upset me enough to make me start drinking again."
You may never have heard of Ramón Ayala, but to his four generations of fans in South Texas and Mexico, he’s music royalty. He revolutionized norteño, a genre that reigns along the border, and—after more than one hundred albums—is still going strong.
According to Time, the Austin rock-pop trio Spoon "just might be your next favorite band." But Britt Daniel and the boys have been burned by such pronouncements before, so this time they’re carefully considering their options—and, as always, putting their music first.
Is Clear Channel, the San Antonio-based radio behemoth, as patently evil as everyone says? Don't touch that dial.
My Jerry Jeff Walker.
Secret Santas, take note: Here are my picks for the state's most underrated or underrecognized CDs of the year.
With the record business in the doldrums, what's a talented, ambitious band to do? If you're Austin's Grupo Fantasma, you make it on your own.
After years of ignoring Woody Guthrie's time in Pampa, residents of the tiny Panhandle community are finally singing "This Land Is His Land."
She was a country music sensation at age 13. Now, Tanya Tucker, a native of Seminole, talks about her life and her love of music 30 years later.
They may not be songs about Texas, but Tony Joe White wrote Rainy Night in Georgia and Polk Salad Annie while living in Corpus Christi. Currently on tour opening for Joe Cocker, the Louisiana native chats about old times, his new record label, and the Texas musician who first inspired
A new book on dance halls explains why Texans are itching to go boot-scootin'.
Executive editor Skip Hollandsworth talks about Pat Green and this month's cover story, "With Envy."
Pat Green’s fans—and they are legion—love his songs about the joys of Luckenbach and Lone Star beer. His critics—also legion—think his lyrics are trite. But no matter how you feel about him, there’s no denying that he’s the hottest country music act in Texas. And that he has made the
His cache of unpublished interviews and unreleased recordings is unrivaled—but both collector and collection are showing signs of age. Who will save the legacy of the man who saved Texas music?
The life of Roky Erickson—one of the most influential Texas rock and rollers of all time—has been one calamity after another. His family and friends have taken care of him with the best of intentions, but you know what they say about the road to hell.
LeAnn Rimes was a marshmallow-cheeked thirteen-year-old when she made it big. Now, five years later, she is locked in bitter legal battles with both her estranged father and her Nashville record company, and her life and career are collapsing around her. Can America's country princess get back on track?
Chalee Tennison wants to reclaim old-time country music.
He's produced albums for the likes of Roy Orbison and Elvis Costello for years, but now Fort Worth's T Bone Burnett is writing songs again and composing music for movies and plays. At 53 he's on a creative roll and, as he says, "Never bored."
Twenty essential recordings by Texas' best jazz musicians.
Artist Frank Kozik has been called a "rock-poster genius," creating jarring, macabre images for bands like the Butthole Surfers and Sonic Youth. So why did he leave Austin for San Francisco seven years ago? He had his designs.
Although Texans from Scott Joplin to Jack Teagarden have made noteworthy contributions to the history of jazz, a music form that may be our country's greatest artistic achievement, they are all but forgotten now. It's high time Texas did something about that.
Rick Sikes and the Rhythm Rebels could have been bigger than Willie Nelson—if only bank robbery hadn't been on the playlist.
Ten tunes by Texas artists to jingle your bells.
For brothers Charlie and Bruce Robison, making country music safe for men again is an intriguing proposition—and a risky one because of their wives.
You might have thought Waco’s Hank Thompson, a forebear of today’s alt-country scene, was dead and gone. But faster than you can say “No Depression,” he’s back, and even at 74, he shows no signs of slowing down.
How Lubbock’s Legendary Stardust Cowboy stays legendary after all these years.
Together for the first time: Two Tommys (Hancock and Shannon), two Montes (Montomery and Warden), two Hubbards (Blues Boys and Ray Wylie) and two Clarks (Carrie and W.C.), plus a Butthole Surfer, three Gourds, six Bells of Joy, a Tailgator, and 87 others who give their all, creatively speaking, to
Sixty-five years after his first recording sessions with the Texas Playboys, 25 years after his death, Bob Wills is still the king of western swing.
It has a nice beat, you can dance to it, and it unites us as nothing else does. The sounds of our state — past, present, and future.
Jessica Simpson wants to love you forever.
Rules for movies about music.
Five years after Selena's death, tejano music is struggling to be heard.
Who was Stevie Ray Vaughan's musical role model?
Meet the senior class of what might be called Texas Music U. four up-and-coming acts that should graduate to the big time.
What they lack in cash they make up for in cachet: on the road with the Trail of Dead, Austin's coolest punk rockers of the moment, as they head east in search of fans, fame, and a free place to crash.
How did Lloyd Maines get to be a revered guitarist and record producer? How did his daughter Natalie find fame as a Dixie Chick? Chalk it up to musicianship—and kinship.
Buddy Holly. Waylon Jennings. Carolyn Hester. The Hancocks. The Flatlanders. An oral history of the state's most storied music scene.
CDs by Ernest Tubb, Blind Willie Johnson, and Guy Clark; books about Janis Joplin, Buddy Holly, and John A. Lomax.
Move over, Anna Nicole Smith. Mexia’s biggest celebrity is Cindy Walker, who penned hits made famous by everyone from Eddy Arnold to Bob Wills.
“Willie Nelson doesn’t fit the stereotype of a 66-year-old veteran of a profession that eats its young. The goofy grin he flashes conveys the vibe that he really and truly likes what he’s doing. We like it too.”
Is there a place in the genre for hip-hop influences? Houston pianist Jason Moran thinks so.
For the hottest Texas band that isn’t the Dixie Chicks, the path to the top of the pop charts led through the Christian- music scene—and Dawson’s Creek.
Barbara Mandrell’s Corpus Christi harmonies
Ricky Martin? Jennifer Lopez? The real Spanish-language stars of the moment are the Monterrey punk, funk, jazz, and hip-hop duo Plastilina Mosh.
Fly girls.
Why is he a cult hero to deejays and record collectors— and why is he such a recluse? I wanted to know, so I tried to find him. And I did, in an upscale Houston neighborhood. And we drank beer.
CDs by Doctors’ Mob and the American Analog Set, plus a tribute to Bob Wills; booksby James Lee Burke and Louise Redd.
MUSICTownes Van ZandtA Far Cry From DeadAristaA Townes joke: what has a front cover, a back cover, and “Pancho and Lefty”? The new Townes Van Zandt album! That song, and others like “To Live’s to Fly,” “For the Sake of the Song,” and “Waitin’ ‘Round to Die” filled the various
Long John Hunter and his guitar-slinging friends sharpened their axes in and around Port Arthur, so their recent return was truly a homecoming.