Pianist James Dick has spent half a century crafting the Round Top Festival Institute into a world-class destination for classical musicians, where architecture, fine arts, green space, and history meet.
Our staffers share the art and entertainment they're most looking forward to this summer, from an opera about Frida Kahlo to a true-crime book about a famous Austin gangster.
The Houston social media influencer is a gay Black man with a gift for the absurd and a passion for platform heels. He’s also a star dancer in one of the world’s most rigid, gendered, and segregated art forms.
While dancers at Fort Worth’s Texas Ballet Theater do pliés at home barres improvised from pipes and shower handles, administrators are making do with a $2 million budget shortfall.
Some of Fusebox Festival’s most poignant moments came when performers stopped trying to put on a show, and instead simply bared their souls about the present predicament.
Twenty years ago my hometown made national headlines when the local college staged an internationally acclaimed play about gay men and the AIDS crisis. The people I grew up with are still feeling the aftershocks.
When I was five, my family got a television, and it was like a meteorite had landed on the farm. That’s when I knew I wanted to be in show business, but I had to keep it a secret because you couldn’t tell people that. My school had this talent
While other high school students spend their afternoons running track or singing in the choir, Diana Fox and Josh Zuniga are perfecting their cha-cha and two-step. Actually, the Missouri City duo is doing those other things too, but much of their extracurricular time is spent defending their title as Teen
I’ve danced all my life, and I really thought that I would eventually open a ballet school. It’s a wonderful discipline and a wonderful release. I started dancing when I was three because I loved the pink tutu and the ballet shoes. I got myself involved—it wasn’t anything that my
I started dancing when I was five, after [Houston dance teacher] Emmamae Horn visited my school and asked my parents if I could enroll in her dance class. It must have run in the family, though, because my parents were great dancers too. When I was about nine, I remember
I enrolled at the University of Texas in 1950 during a post-war period that produced many talented individuals. Harvey Schmidt, Tom Jones, Liz Smith, Robert Benton, Pat Hingle, Word Baker, Kathryn Grant (later Mrs. Bing Crosby), and I all graduated with degrees in drama. We did lots of dance concerts
One day when I was in the seventh grade at Christ the King School in Dallas, the Ursuline nun who taught our class dragged in a phonograph with 78 rpm records from the convent. She put on an album of Puccini love duets sung by Licia Albanese and James Milton.
Houston has every reason to be proud of the Alley Theatre: After fifty years in the business, it has national clout and a Tony award. Still, not everyone is pleased with its direction.
“I play a lot of boys,” reports Susan Graham, a svelte but buxom mezzo-soprano. Schooled for opera’s mischievous “trouser” roles by climbing trees and toilet-papering houses while she grew up in Midland, the 36-year-old earned a master’s degree in music at Texas Tech University in Lubbock and went on to
Every Christmas, from the time I was three until I was ten, my family would drive in a stream of cars to Kilgore, where, during the Depression and a very big oil boom, oil wells had been drilled downtown. Hundreds of derricks on street corners and next to office buildings
Mexico’s Ballet Folklórico steps lively (Dallas, Galveston, and San Antonio). Plus: the richness of Catalonian art (San Antonio); the brew-haha that is Oktoberfest (Fredericksburg); the keys to jazz piano (Austin, Houston, and San Antonio); and singing the praises of Gabriel García Márquez (Houston). Edited by Quita McMath, Erin Gromen, and
Not long after he moved to Texas to enroll in the Houston Ballet Academy, Trey McIntyre discovered he wasn’t good enough to dance the classics. But that didn’t stop the six-foot-six Kansas native from towering above his peers. Recognizing his talent as a designer of dance pieces, the company’s artistic
From the Paris Bastille to a duet with Pavarotti to a PBS documentary: Amarillo’s resident opera star, Mary Jane Johnson, has had a career full of high notes, and she has savored every one of them.
summary: From Nanci Griffith to Butch Hancock, the stars will shine at this year’s Kerrville Folk Festival—the kickoff of a year-long twenty-fifth-anniversary celebration. Plus: Dead presidents in Austin, Spanish masterpieces in Dallas, a haunting opera in Houston, and tee time in Fort Worth. Edited by Quita McMath, Erin Gromen, and
